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Mahalaga ang tapang sa panitikan, bigyang-diin ng mga manunulat

Binigyang-diin ng mga manunulat sa UST Publishing House ang kahalagahan ng katapangan sa larangan ng panitikan sa ginanap na The Philippine Readers and Writers Festival 2018 ngayong Biyernes, ika-10 ng Agosto.

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chuckberry and panelists
Kuha ni Corinne Vizconde/TomasinoWeb.

Binigyang-diin ng mga manunulat sa UST Publishing House ang kahalagahan ng katapangan sa larangan ng panitikan sa ginanap na The Philippine Readers and Writers Festival 2018 ngayong Biyernes, ika-10 ng Agosto.

Ayon kay Nicolas Pichay, ang pagsulat ay isang “gawa ng katapangan.”

“Writing is an act of courage. Talagang tataya ka. Kapag pangit ang sulat mo, kakainin mo ‘yan,” ani Pichay, ang manunulat ng “Maxie.”

“If you really want to be a writer, you have to write 24/7,” sabi pa niya.

Prinoklama rin ni Joselito delos Reyes, ang kasalukuyang tagapangulo ng Departmento ng Literatura ng Unibersidad, na “nangangailangan pa ang larangan ng [pagsusulat] ng mas maraming matatapang.”

“Para sa isang bansang hindi nagbabasa, kailangan mo talaga ng katapangan para magsulat,” sabi ni Delos Reyes.

“Yung tula kasi, nandoon sana yung disiplina ng salita,” dagdag pa niya.

Binanggit naman ni Angelo Lacuesta, na sumulat ng “Coral Cove and Other Stories,” na hindi mawawala ang katapangan na hinihingi sa pagsusulat.

Samantala, binigyang-diin ni Chuckberry Pascual, ang sumulat ng “Ang Tagalabas sa Panitikan,” na mahalagang makita kung ano na ang nagawa ng ibang manunulat dahil tutungtong din doon ang ibang mga manunulat sa kanilang pagsusulat.

Ang patuloy na pagsasanay ng pagsusulat ay magbibigay rin ‘di kalaunan ng mahalagang bagay, wika naman ni Mookie Katigbak-Lacuesta, ang sumulat ng “Hush Harbor: Poems.”

“As we grow in our writing, we will be involved in politics bigger than you,” “The writer is never not writing. [It’s] always writing,” ani Katigbak-Lacuesta.

Ang The Philippine Readers and Writers Festival 2018, na ngayo’y nasa ika-limang taon, ang taunang pagdiriwang ng National Bookstore at Raffles Makati kung saan isinasagawa ang mga serye ng book signing at diskusyon tungkol sa kultura, literatura at libro mula sa mga nangungunang manunulat at artista.

Ang pagdiriwang ay tatagal hanggang ika-12 ng Agosto.

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Literary

RAIN

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rain

At the clap of thunder
I hear the voice of God,
Roaring with dismay
Calling onto humanity
His hand preparing to smite down
the urban hearth.

Until he froze
With hesitation.
He Looks at His calloused hands,
His battered nails,
And coarse skin,
The mark of a carpenter.
“My will be undone”
He weeps with dismay
At the folly of freedom.

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Literary

No Woman Is a Temple

They will never be possessions. And after every struggle, it is their voices that you will always remember.

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picture of a woman with the symbol on it
Artwork by Jessica Lopez

[trigger warning]

The first woman here is of infinite loneliness.

Thin-lipped and round-eyed, the girl has her arm sprawled across the desk, with her palm up and her fingers curled. Beside her is another girl whose full lips are smiling shyly, her arm also on the desk. The light is luminous on one side of their heads, yet it is the light on the smiling girl that they think is more beautiful—because the thin-lipped one is neither fair-skinned nor skinny. She tries to smile back, but she already has her arm under the table.

The second one is of perpetual silence.

Smoke billows out of the jeepney as the stop light turns red and a girl in a denim skirt and halter top comes out into broad daylight. She is attractive, everyone around her thinks, and so does the smirking man by the sidewalk. He calls her names, and she turns, baffled at first, then realizing all at once that he meant her, she flushed, abashed. For a moment she does not notice the stoplight turning green. At that instant, she simply wants to disappear, perhaps along with the black clouds of exhaust spewing out of the honking buses and vans.

The third one is of quiet rage.

Hands shove her legs apart. Always, always, they tell you it’s okay, you’re safe with me, with that almost-motherly voice they possess—soft, gentle, and kind. She thinks of her mother, imagining herself as a baby, cradled adjacent to her chest, her small head settling in the space by her mother’s neck. This is not like that. This is not a safe space. Hands that roam places that are not theirs to touch are not hands of love. This is home, the hands say, it’s okay. It isn’t.

Finally, the last one is nameless.

They call her a woman. They call her names. But oftentimes, they call her in a language only they understand — when she has to speak in a mild tone, when she has to drag the hem of her skirt down just one more time, when she has to put the dress back in the rack. Or when she and her girlfriend make vows in the grocery aisle. Whenever she has to say no, again and again, only to nod eventually because she has to be kind. She has to be poised. She has to be silent. She has to be a woman.

But loneliness is fleeting. Silence does not last. The rage is never quiet. And the nameless — at the end, they were never meant to be named. Because they will never be possessions. And after every struggle, it is their voices that you will always remember.

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Literary

Ang Tugon

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blurry crowd of people artwork
Artwork by Jessica Lopez

Lumibot ang mga mata upang makita

Ang sambuntong kataong nagpasya—

Nagising, natupok, napukaw, nagmartsa

Sa kahabaan ng avenidang EDSA.

Ang init ng panawagan, sumisiklab na

Galit sa diktador, tuta, pasista

Isinusuka nang lubos ng militanteng madla

Na hahatol sa berdugo’t magbibigay-hustisya.

 

Pilitin mong isadlak sa langit ang dilim,

Ilayo ang liwanag, pag-asa’t kulimlim,

Gugulin ma’t patuloy pang hanapin,

Ilatag ang libingan, kuhain ang patalim,

Lasugin ang katawan, ang sarili’y ilibing;

Ang mga palahaw at sigabong pinanganorin

Na gigising sa iyong diwang nahihimbing.

 

Hinagpis ng masa’y tunog ng ibong kinulong:

Umalpas ang nais, ang hapag ay patibong.

Walang-awang dinakip, sa’yong sunga’y nasuong,

Agarang babadya’t katarunga’y isusulong—

Galintik na hinabik sa taas-kamaong hamon.

 

Pakla ng sinapit na hindi makalimutan,

Atungal ng umaalimpuyong galit ng sambayanan,

Higpit at sikip ng tiyang patuloy na kumakalam,

Inilalapat muli ng isa pang diktador na nag-aasam

Na isulong ang huwad na Bagong Lipunan.

 

Talagang wala nang ibang landas kundi magbalikwas.

Umaayong panahon, ang pakpa’y pumapagaspas.

Liriko ng kanta ng paglaya’y nagpapainog—

Umuungol, sumasaliw, sa mapagpalayang indayog.

Tuluyang tulutan ang sariling kumawala.

Ang himno ng dagundong, sa apo’y aapula.

Nang ang demokrasyang mithi ay puma-Hilaga.

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