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A Celestial Date

Photo by JC Alvero/TomasinoWeb.



It was suffocating.

Stuck on a heavy traffic along Roxas Boulevard, with horns blaring from lanes after lanes, the overwhelming urban tension sizzles in the air. I was desperate for an escape–and the soothing light gleaming through the windshield calmed me that night.

If it were a different night, I would have been already drowned in a swarm of thoughts, being alone on the backseat with no one to talk to other than myself, but the tranquil gaze of the big rock resting on the starless sky kept me distracted. It was as if it’s inviting me to a show, a big and remarkable one, something I would not dare pass on.

It was magical.

As I stared at my screen, I knew that the universe was on my side because for the first time in 150 years, the night of January 31st will be filled with lunar grandeur for three lunar events will transpire: supermoon, blood moon, and blue moon.

A supermoon happens when the moon is at its closest distance to the Earth, making it 14% larger and 30% brighter than the usual, while a blood moon, also known as the lunar eclipse is when the Earth’s shadow gives the moon a reddish hue. Blue moon, on the other hand, is the term used for the second full moon of the month, and it only appears every two or three years. Also known as the Super Blue Blood Moon, this rare occurrence took place last March 31, 1866. Starting at 6:49 P.M., PST, the moon will start to unveil itself, and by the time the clock strikes at 9:29 P.M., the moon’s magnificence will be at its peak until the midnight of February 1.

This lunar magic wove a tale of endings and beginnings–its mystical thread wove beauty through the end of January to bring spring towards February.  

I stared above, amidst the noise of the city rush, I can hear the soft whispers of the moon. I remembered how I used to challenge myself as a child, trying to get away from the moon by continuously running and running and still ended up being chased by this celestial being.  Truly, I’ve been caught in eternal awe at the way the moon can illuminate even the darkest of nights, its gravitational pull working on my soul every time I see one of its different phases.

Even though my face was shrouded with darkness, the driver seemed to sense how tense I had been for the past hour.

“Tingin lang po kayo sa langit, ma’am,” the driver uttered softly.

I sighed and stared momentarily at the moon, its bright light tugging on my heartstrings.

“It’s a date,” I then whispered with a smile.







At the clap of thunder
I hear the voice of God,
Roaring with dismay
Calling onto humanity
His hand preparing to smite down
the urban hearth.

Until he froze
With hesitation.
He Looks at His calloused hands,
His battered nails,
And coarse skin,
The mark of a carpenter.
“My will be undone”
He weeps with dismay
At the folly of freedom.


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No Woman Is a Temple

They will never be possessions. And after every struggle, it is their voices that you will always remember.



picture of a woman with the symbol on it
Artwork by Jessica Lopez

[trigger warning]

The first woman here is of infinite loneliness.

Thin-lipped and round-eyed, the girl has her arm sprawled across the desk, with her palm up and her fingers curled. Beside her is another girl whose full lips are smiling shyly, her arm also on the desk. The light is luminous on one side of their heads, yet it is the light on the smiling girl that they think is more beautiful—because the thin-lipped one is neither fair-skinned nor skinny. She tries to smile back, but she already has her arm under the table.

The second one is of perpetual silence.

Smoke billows out of the jeepney as the stop light turns red and a girl in a denim skirt and halter top comes out into broad daylight. She is attractive, everyone around her thinks, and so does the smirking man by the sidewalk. He calls her names, and she turns, baffled at first, then realizing all at once that he meant her, she flushed, abashed. For a moment she does not notice the stoplight turning green. At that instant, she simply wants to disappear, perhaps along with the black clouds of exhaust spewing out of the honking buses and vans.

The third one is of quiet rage.

Hands shove her legs apart. Always, always, they tell you it’s okay, you’re safe with me, with that almost-motherly voice they possess—soft, gentle, and kind. She thinks of her mother, imagining herself as a baby, cradled adjacent to her chest, her small head settling in the space by her mother’s neck. This is not like that. This is not a safe space. Hands that roam places that are not theirs to touch are not hands of love. This is home, the hands say, it’s okay. It isn’t.

Finally, the last one is nameless.

They call her a woman. They call her names. But oftentimes, they call her in a language only they understand — when she has to speak in a mild tone, when she has to drag the hem of her skirt down just one more time, when she has to put the dress back in the rack. Or when she and her girlfriend make vows in the grocery aisle. Whenever she has to say no, again and again, only to nod eventually because she has to be kind. She has to be poised. She has to be silent. She has to be a woman.

But loneliness is fleeting. Silence does not last. The rage is never quiet. And the nameless — at the end, they were never meant to be named. Because they will never be possessions. And after every struggle, it is their voices that you will always remember.


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Ang Tugon



blurry crowd of people artwork
Artwork by Jessica Lopez

Lumibot ang mga mata upang makita

Ang sambuntong kataong nagpasya—

Nagising, natupok, napukaw, nagmartsa

Sa kahabaan ng avenidang EDSA.

Ang init ng panawagan, sumisiklab na

Galit sa diktador, tuta, pasista

Isinusuka nang lubos ng militanteng madla

Na hahatol sa berdugo’t magbibigay-hustisya.


Pilitin mong isadlak sa langit ang dilim,

Ilayo ang liwanag, pag-asa’t kulimlim,

Gugulin ma’t patuloy pang hanapin,

Ilatag ang libingan, kuhain ang patalim,

Lasugin ang katawan, ang sarili’y ilibing;

Ang mga palahaw at sigabong pinanganorin

Na gigising sa iyong diwang nahihimbing.


Hinagpis ng masa’y tunog ng ibong kinulong:

Umalpas ang nais, ang hapag ay patibong.

Walang-awang dinakip, sa’yong sunga’y nasuong,

Agarang babadya’t katarunga’y isusulong—

Galintik na hinabik sa taas-kamaong hamon.


Pakla ng sinapit na hindi makalimutan,

Atungal ng umaalimpuyong galit ng sambayanan,

Higpit at sikip ng tiyang patuloy na kumakalam,

Inilalapat muli ng isa pang diktador na nag-aasam

Na isulong ang huwad na Bagong Lipunan.


Talagang wala nang ibang landas kundi magbalikwas.

Umaayong panahon, ang pakpa’y pumapagaspas.

Liriko ng kanta ng paglaya’y nagpapainog—

Umuungol, sumasaliw, sa mapagpalayang indayog.

Tuluyang tulutan ang sariling kumawala.

Ang himno ng dagundong, sa apo’y aapula.

Nang ang demokrasyang mithi ay puma-Hilaga.


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