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Keeping the Thomasian Spirit Alive: UST’s First Virtual Paskuhan

Capping off the first semester of the academic year is not the same without the Paskuhan concert. A night like no other, Thomasians welcomed the 29-year-old tradition in the warmth and comfort of their own homes.



(Photo by Ralph Rainell Estrella/TomasinoWeb)

Capping off the first semester of the academic year is not the same without the Paskuhan concert. A night like no other, Thomasians welcomed the 29-year-old tradition in the warmth and comfort of their own homes.

Instead of the cacophony of noises from thousands upon thousands of Paskuhan attendees, the sound of crickets and rainfall filled the open field as the clock hit 7 on the night of December 18. The bright red, yellow, and blue lights of the Christmas tree stood out in the dark, a sure symbol and testament to how Paskuhan can never be skipped nor forgotten despite these trying times. 

With the UST Tiger TV main hosts Gayle Resubal and Kobe Dayao on-site to lead the event, this year’s Paskuhan virtual concert kicks off with a donation drive for the rehabilitation of the typhoon victims in Albay and an auction for Black Candy cosmetics, even a short recap on the event’s history. First named as Paskong Tomasino, Paskong Pilipino ’91, the original Paskuhan was also done for a cause to help the victims of the Mount Pinatubo explosion and the Ormoc flood. Twenty-nine years later, Paskuhan remains true to the essence of the Christmas spirit, with the two and a half-hour livestream accumulating 9,300 in donations.

Paskuhan continues to be the most-awaited season of the year, with the live stream garnering over 6,000 viewers. Thanks to the UST Educational Technology Center, Thomasians still got to experience Paskuhan and all its glory even just through their phones and laptop screens, perfectly embodying the hashtag, #PaskuhanKahitSaan. The community remained alive and well as festivities reminded us of our home away from home, and how it will always be home no matter the distance or the length of time spent in separation is – after all, that is what Christmas is all about.

Being “extra”, the Paskuhan concert featured a short Minecraft-version of a campus tour created by the UST Minecraft players, showing off all the lights and decorations put up around the university that surely would have been loved ten times over by Thomasians, should they have been able to witness it in real life, just like old times. 

Just like old times, this year’s Paskuhan had a return segment from last year: The Thomasian Choice Awards. The categories included the trends and crowd favorites made during the quarantine period like Best Online Class Platform, Best Workout Instructor, Best Quarantine Film, Best Quarantine Live-action Series, Best Quarantine Album, Best Artist of the Year, Best Korean Drama, Best K-Pop Group, Best Quarantine Trend, and Best TikTok Trend. 

As Paskuhan concerts are known for the lineup of bands and performers that precede the fireworks display, this year featured live footage from the most memorable performances from the previous years. Starting off with last year’s hit performer Magnus Haven, the band once again took over Paskuhan with “Imahe”, followed by the 2017 guest performer Brisom with “Balewala”, Miles Experience in 2016 with “Silakbo”, The Ransom Collective in 2018 with “Run” and “Settled”, Lola Amour in 2019 with “Fools”, Yeng Constantino in 2016 with “Hawak Kamay” and “Ikaw”, Callalily in 2017 with “Stars” and “Magbalik”, Spongecola in 2018 with “Tambay” and “Jeepney”, and of course, the Thomasian crowd favorite Ben&Ben in 2019 with “Araw-Araw” and “Ride Home”.

In between these performances, the winners for the Thomasian Choice Awards were hailed, with Google Meet winning Best Online Class Platform, Chloe Ting for Best Workout Instructor, Enola Holmes for Best Quarantine Film, The Queen’s Gambit for Best Quarantine Live-action Series, Folklore by Taylor Swift for Best Quarantine Album, Taylor Swift for Best Artist of the Year, Start-Up for Best Korean Drama, BTS for Best K-Pop Group, Dalgona Coffee for Best Quarantine Trend, and “Wah! It’s me and my jowa!” for Best TikTok Trend. 

Together with Gayle and Kobe, social media hosts Alysia Petras and AJ Supe man Twitter for the trends, tags, and posts of Paskuhan 2020 attendees, wherein they post questions under the #BakaNamanNgayongPaskuhan hashtag. Devoted Thomasians join in the fun as they tweet cheesy wishes like “sana may plot twist”, while others resort to expressing their gratitude for the community “virtually” coming together. 

Just shortly before 10:00 p.m., the concert ended with “Paskong Tomasino”, a song composed by Kenneth Reodica and Jarl Francisco, and performed by Gab Ayangco, Tweety Alarkon, Tom Targra, Keith Vicencio, Jarl Francisco, and Kenneth Reodica covering the much-awaited fireworks display and echoing every Thomasian sentiment for a chance to celebrate all these fulfilling events together in person once again.

And the song rings true:

Nangingibabaw ang pag-ibig,
Walang tatalo sa Paskong Tomasino.



Lights From Afar: the Virtual UST Christmas Concert 2020

After the concert, the screen flashed photos from last year’s paskuhan opening––all glowing and bright just like the memories that each and everyone has made.



(Photo by Ralph Rainell Estrella/TomasinoWeb)

An empty UST field greets the viewers, as the grandstand lights glow in the subtle darkness, waiting for the program to start. This time last year, the Thomasian community was surrounded by the holiday spirit given by the whimsical ambiance from the Christmas lights all over the campus. As every Thomasian walked around, the beautiful music from the Christmas concert created an experience that can only be felt during the start of the Paskuhan season. 

Because of the pandemic, all activities were brought online. Hence the birth of enjoying the special season in front of laptop screens. The UST Christmas Concert, led by the UST Conservatory of Music is held each year, and this time, they did not let the pandemic stop them from performing their hearts out as an ode to the holidays. FAITH in Him, HOPE for the best, LOVE in every way––these are the lines in their poster that sparked joy in these trying times. 

After beginning with a prayer, a duet was performed as the camera panned out, showing the University. While practicing social distancing, led by Fr. Isaias Tiongco, O.P., a short mass was done and before the switching of the button, the officials and professionals of the UST Hospital were called in honor for their bravery and compassion in fighting against the virus and ensuring public safety. 

At the count of three, the Christmas tree lit up with gold, red, yellow, and green. Next, the view of the Main Building filled the screen, showing the lamp posts decorated with cool tones as well as the trees in Lovers’ Lane; the Arch of the Centuries was also shown with the lighted shrubs and bushes; and lastly, the Santisimo Rosario Parish joined in. With the song Ang Pasko ay Sumapit playing in the background, a surge of “I miss you, UST!” filled in the comments section of the live stream as the screen continues to show the lit up places in the campus, ending the ceremonial opening of lights. 

(Photo by Ralph Rainell Estrella/TomasinoWeb)

“Christmas is just a few days away and we can already feel its merry atmosphere in our homes, in the university, and wherever we go,” Rev. Fr. Isaias Tiongco says, “Christmas and music go together and their celebration becomes more festive and lively when yuletide carols accompany our joyful feeling as we await the birth of our savior, Jesus Christ.” He proceeds by saying that the annual Christmas concert being one of the highlights of the yuletide season in UST, is also the event where the community looks forward to the performances of the homegrown talents from the UST Conservatory of Music. 

A mixture of both classical and popular Christmas tunes imagined and interpreted by the finest of the finest musicians brought joy and peace to the viewers. “This year’s concert will be held virtually due to the current situation, but despite this, we know that our concert continues to raise the musical bar as it has become an awaited tradition, not only by Thomasians but also music luminaries and enthusiasts, and those who wish to feel the delightful Christmas spirit and festive atmosphere, even if we can only watch it on our screens,” Rev. Fr. Tiongco adds. 

Even though the tradition is not held within the UST Chapel or in the Plaza Mayor, the Conservatory of Music still made it possible for the event to continue and bring the viewers the festive atmosphere that should be experienced during the holidays. Rev. Fr. Tiongco ends his message by thanking Dr. Antonio Africa, the dean of the Conservatory of Music, the students, faculty members, and the alumni who have made the event possible, “I wish everyone a Merry Christmas and a happy, healthy, peaceful, and prosperous new year 2021.” he ends with a smile. 

Like angels, dressed in white, the Coro Tomasino starts with “Magnum Mysterium”, composed by Ronaldo Raz, welcoming the viewers with its calming progression. Regardless of the physical boundary between the singers and the audience, their voices still made listeners have goosebumps in delight.

“Despite the limitations, we would like to offer this evening of songs to lift the spirit as we have always done during this season of light. Let the Child Jesus be our inspiration to celebrate life despite the adversities,” Assoc. Prof. Peter Porticos said, “Our faith in Him shall deliver us from all the tribulations we are facing today.” 

(Photo by Ralph Rainell Estrella/TomasinoWeb)

After the first performance, several alumni of the UST Conservatory of Music sang “Bituing Natatangi”, arranged by Ricky Sanchez, followed by Ed Parunago’s “Diwa ng Pasko” sang by the Liturgikon Vocal Ensemble dressed in Christmas colors, firing up the season of giving. 

A total of eighteen performances were presented at this year’s Christmas concert: “What Child is This”, arranged by Naldy Rodriguez was performed by Nenen Espina, Mary Anne Espina, and Gina Medina. The Silangcruz family played a Christmas medley with the flute. Another Christmas medley that brought joy to the event was by the Brass and Percussion Ensemble from the UST Conservatory of Music. Members of the UST Conservatory of Music Faculty Guitar Quarter also showed their talents by performing “Sleigh Ride” which was composed by Leroy Anderson and arranged by Heo Kyenomposer, making the song fun and exciting to listen to. Followed by the UST Wind Orchestra who brought in heavy talent with their performance of “Christmas Around the World” which was arranged by Jerry Williams. They did not stop there for they also performed “God Rest ye Merry Gentlemen” arranged by Chip Davis which added more flair to the event. 

“Kumukutikutitap” by Ryan Cayabyab was also performed by the Woodwind Quintet with their version arranged by Jedrick Itugot. Victor Victorino, a faculty member of the Conservatory of Music played the restored pipe organ along with Renato Lucas who played the cello, performed “Andante-Allegro” at the Conservatory of Music’s recital hall, giving the audience a feel of Baroque music. Class 1 & 3 showcased their talents with the ever so popular “Jingle Bells” while “Marriage of Figaro Overture” was also played on the piano by several alumni. 

The former dean of the UST Conservatory of Music, Raul M. Sunico,  played his arrangement of “Pamaskong Handog ni WOW!” on piano emanating lively mash-ups of famous holiday songs. Rachelle Gerodias Park along with her husband, Byeong In-Park sang “Jesu Bambino” which was also arranged by Sunico. 

(Photo by Ralph Rainell Estrella/TomasinoWeb)

“The Good King Wenceslas” was performed by the UST Symphony Orchestra followed by an original composition by The TonTones, an acapella group, entitled, “Sa Araw na Ito” which shared catchy lyrics. And last but certainly not the least, The UST Singers sang the “Mantovani Christmas Medley” arranged by Naldy Rodriguez, which showed a marvelous performance. Wrapping the concert, the Coro Tomasino and the Liturgikon Vocal Ensemble along with the Large Ensemble Class 1 & 3 and accompanied by the UST Symphony Orchestra performed a soothing “Have Yourself A Merry Little Christmas”  arranged by JR De Guzman. 

“We all thank you for joining us tonight,” the program ends with a message from Dr. Antonio Africa thanking the audience’s participation from their homes, “We the Conservatory of Music wish you the best of the yuletide season despite the adversities. In the middle of all that is happening, let us always remember that the Child Jesus was born to be with us, guide us, and save us.” He reminds the audience to always put faith, hope, and love in Jesus, “At nawa’y ang pag-ibig na dulot ni Hesus ay maghari sa ating mga puso.

After the concert, the screen flashed photos from last year’s paskuhan opening––all glowing and bright just like the memories that each and everyone has made. The tree symbolizes hope for the future and pushes the people to continue to fight against the mishaps and troubles that happened this year. For now, we rely on the power of technology to bridge the gaps that the pandemic has created. As the music comes to a halt, comments like, “Masaya ang pasko dito sa UST”, “Proud to be a Thomasian!”, “Tatak Tomasino.”, and greetings to all flooded the comment section once again, displaying the longing for contact and celebrating Paskuhan events together.


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No such thing as small: recent calamity unites youth to create donation drives

As the saying goes, “If you have more and you give some, will that make less of you?”



(Photo by Genise Danga/TomasinoWeb)

The picture speaks—it is both a blessing and a curse to see all things through the screen. When people see that their brothers and sisters are suffering from a circumstance that they cannot control, they choose to extend their helping hand regardless of their social class. They say that people are selfish by nature but this selfishness in these tough times does not live in the hearts of those who are compassionate. 

As the Philippines tries to recover from the damage of typhoon Rolly in Bicol, a few days after, another storm came that the country had to withstand. Due to the devastation carried by typhoon Ulysses in the metro, images and videos of people who are pleading for help spread across social media. 

Down to scrolling through Facebook, Instagram, and Twitter, Filipinos who are crying out for help are uncomfortable to see. But the right word is not “uncomfortable”, it was haunting. It was haunting as it is unbearable to take in that some people have lost everything––the pain to see Filipinos struggling without sufficient aid and the face of tragedy stays in the memory as it lingers. Every flash of the images, every motion of the videos, and every audio where you hear screams grasping for survival––those who witness these do not simply forget.

To start remembering is where it all begins. The embedded thought that someone is left alone with no food to eat, no shelter to stay in, and no signs of hope to hold onto, makes one move. Across the years, one of the most difficult things to understand is, why does someone have to suffer more compared to others? Everytime a storm would enter the country, there are people who become greatly affected by it but there are also people who are well sheltered––those who have privilege, while on the other side of their comfortability lies the people who barely survive. While others are on their couch having all the resources that they need for them to live, there are those who have nothing. Hence, it is not about them not being prepared, it is about the unequal opportunity that is already in the system.

Carried with overwhelming distress, the youth is moved and solidified more than ever. The Thomasian community is engaging in different initiatives as they aim to help those who are in need. These “little gestures” that they refer to are not little for it can assist and motivate the people who are affected by the typhoon to live another day. By doing this, some volunteers have shared to TomasinoWeb their reasons as to why they decided to help.

It is also with the belief that this drive is a way for us to pay forward and fulfill our social responsibilities, with which we refuse to glorify resiliency, we need to demand accountability.” Thomasians from AB Legal Management said in a statement about their initiative. Awakened, the youth also acknowledged how the dependence on the resiliency of the Filipinos could be deadly, as it promotes to not aid the current problem.

Also, Thomasians who are collaborating with their friends from different universities by starting or participating in donation drives poured their hearts into their projects. We are not obliged to help each and everyone but because we were not affected unlike them and we have the capacity to help, my friends and I have decided to do this to give back and help our country men to recover from the calamity.” Mitzi Buenconsejo, from the Faculty of Arts and Letters, said. She has collaborated with her friends to help those who are in need at this time.  

By helping those who are in need, the feeling of joy seeps in and for Angelino Quijencio, a volunteer of takepART PH, from the College of Fine Arts and Design, shared his sentiments in participating in an art for a cause. He described it as rewarding. “It really feels overwhelming because of the amount of responsibility you are taking in but as it progresses it feels heart-warming and rewarding, in the sense that I am a part of those who create positive changes to society.”

I joined this cause because I know that I can do more than just press a share button and I cannot simply sit at the comfort of my own home knowing a lot of my fellow Filipinos out there are having a hard time with the aftereffects of the typhoon.” Hanji Adawey, also from the Faculty of Arts and Letters, a volunteer of Kasiyana, said in an interview. Thus, this is not just a simple act of generosity for this is an act of love for the country. 

For starters here are some Thomasian participated donation drives.

The engagement of the Thomasian community in starting and participating in different donation drives is observed across social media. Not only them but also the youth are able to use the platform for a cause. Let it be a like, share, comment, adding into their story, or by retweeting––these actions are big as it raises awareness to the masses. They also serve as a call for help and a call for action. 

And also, “Bayanihan” is the culture of the Filipino that means helping one another and not allowing anyone to be left behind. The moment when one sees things beyond the screen—when one gets to understand that no one can peacefully sleep at night—when one starts to feel for others is also the same moment that deep down, that person knows that there is something that needs to be done. As the saying goes, “If you have more and you give some, will that make less of you?” These initiatives are proof that the selfishness that people usually grow into eventually vanishes and when they ought to understand that there are bigger things aside from themselves, that is when they start to understand that unity can withstand all. 


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‘Bakit, Why Not?’: Schumi’s climb to the top

Hip-hop artist Schumi talks about his journey as he establishes himself not only as another artist but a fresh prince in kingdom.



Photo grabbed from Schumi's official Facebook page

One may wonder who this new face on the hip-hop scene is, among the countless others who have added their own touch to the growing local music scene. Schumi, the man whose drive lies in the simple words “Bakit, Why Not?”, elbows his way through the sea of pretenders and establishes himself as not only another artist but a fresh prince in his kingdom. Underneath the surface of an artist who strives and pushes to be the best that he can be, is a person that holds his friends and family close to his heart.

To those who haven’t yet listened to his music, Schumi describes it as “no rules”, further explaining that he makes music according to what he feels. It is never limited to a single genre, pointing out that with his recent album, “Fresh Prince”, there is not one track that sounds like another. His album Fresh Prince is based on his emotions; condensed in a way that others can enjoy, understand, and relate to. He expresses himself through these songs, with a wide array of emotions defining the underlying soul of each track. 

During the face to face classes, one may not have noticed the unassuming artist among the masses, but upon further exploration, there is much more to the man that is Schumi, also known as Albert Michael Guallar, is currently a second-year student under the program BS Information Technology. He talks with TomasinoWeb about his journey in honing his craft.

Photo courtesy of Schumi

He explained that his name was derived from the legendary Ferrari race car driver Michael Schumacher, of whom his mother was a fan of, “My mom was a racecar driver sa UP, parang nag-drag race siya noong college days niya, and yung idol niya doon si Michael Schumacher, yung Formula 1 Racer. Eh yung nickname niya is Schumi.” He elaborated that the “Michael” part of his name was influenced by this. As a great family man, he considers his family as one of the greatest inspirations and motivations in his life, noting that they were the reason that he pushes himself to go to a hundred every day. 

Names aren’t the only thing influenced by the racecar driver, as he was growing up; Schumi would be a great fan of racing and cars and explained that he lived his life having difficulties relating to others and having trouble fitting in. He attributed this to a part of his personality that seemed to go at a speed that everyone else had trouble trying to understand. During his high school days, he shared that he tossed aside what made him unique in a bid for him to fit in with the various cliques and groups. But as he went through this, it made him miserable, being unable to express his true self.

He describes himself as a risk-taker. He expounds, “it’s not bad to take risks, but you always need to make sure that it’s safe in the long run. It’s all about taking risks and thinking ten years ahead.” 

As he went into college, he allotted a great amount of thanks to his friends for helping him realize that it was much better being himself and was grateful that they helped him in his journey to realize that he was more than Albert Guallar. His best friend Esca was also a major motivator through his journey to become Schumi. He accompanied his friend through gigs, supporting in his own way, seeing another side to the hip-hop scene that opened his eyes and was the inspiration that paved the path for the Fresh Prince. 

A major catalyst that lit the fuse to his career would be an emotionally daunting breakup with his girlfriend, through which his best friend urged him to try and express his emotions through writing his own songs. The process would eventually spark something in him, and in his own words, “It was like I discovered fire!” he said with a beaming smile on his face.

When asked about his foremost inspiration in music, without hesitation, he replied, “Ang pinaka-idol ko na artist is Drake, kasi, I look up to him, binreak niya yung norm ng genre namin [hip-hop]. Kasi hip-hop should be gangster, should be street. Pero yung ginawa niya, hip-hop should have feelings pa rin. Music should have no rules, so ang ginawa ko ‘yung no rules. Bakit ka may sinusundan na formula, ‘di ba?”

Photo courtesy of Brin Isaac

Everyday, he continued writing his own songs whenever inspiration struck and would never let up if an idea came up––following an exercise method of writing songs whenever inspiration strikes. Impassioned songwriting revealed itself in his tracks, added further by his unrelenting pursuit of the perfect lyrics that matched his feelings.

May formula ako dyan eh, binalikan ko ang mga dati ‘kong sulat na drafts, I go through my drafts and I see something that fits, and I place it there. Mga kanta na ‘di ko pa narerecord or narerelease, I just do it daily, I do rhymes daily, parang naging exercise siya. Importante talaga yung exercise method.” he said when asked whenever the occasional drop of inspiration happens and the ever-so inevitable writer’s block strikes.

Schumi’s journey as an artist was not without potholes and barriers, however, as he would experience criticism and ridicule during his journey to the top, he recounted, “I was ridiculed by my peers, sobra, as in sobrang pinagtatawanan ako, like, ‘Oh my God, that’s trash. Ano ba iyan, ano bang ginagawa mo sa buhay mo?’” Despite these setbacks, he found that his family was the one thing that he could count on. 

Describing himself as a sort of rebel against the norms established by society, his signature color of pink is a form of speaking out against what society has deemed acceptable for males and females to adhere to.

“It was like I discovered fire!” he said with a beaming smile on his face.

When asked about his personal motto and actual song title of “Bakit, Why Not?”, he explained in his own words,“ ‘Di ba ang ‘Bakit, Why Not?’ is breaking social norms, parang bakit yung lalaki naka-blue, yung babae naka-pink? I wear pink kasi it’s a protest, it’s a protest na sinasabi na gender fluidity, ganyan. It should be normal. It should be normal for everyone to wear any color they like while being secure sa masculinity nila.”

Believing that a person is free to express themselves in any way and should be free of discrimination—this is the motivation behind how Schumi chooses to dress in his signature pink hoodie as well as his bandana streaking across his head, in a blatant show of “Here I am and you will hear me out!”

He describes himself as a risk-taker. He expounds, “it’s not bad to take risks, but you always need to make sure that it’s safe in the long run. It’s all about taking risks and thinking ten years ahead.” He also explained that a person needs to escape what is usual and comfortable to go beyond one’s barriers. Additionally, if someone doesn’t have anything to lose, why shouldn’t they risk trying to do something, as every single event is an opportunity to learn and grow as an individual. 

Photo courtesy of Schumi

Schumi says that his passion for meeting new people and experiencing new perspectives is a driving force of his exploratory nature. He explains, “Kung nandoon ka lang sa teritoryo mo palagi, wala ka matututunan doon, or meet unexpected people like Brin […] gusto ko ‘yung fresh new perspectives, meet new people.”

Leading his rapid rise to stardom is his daring nature—beginning with the first semester of his first year in college to culminating with signing with Viva Records. Schumi explains that these risks led him to the success he holds right now. He says that it is in humanity’s nature and in his that whenever he goes out, he wants to get something, and will never accept nothing. 

When asked what he would like to share with aspiring Thomasian artists, or even those looking to break into the local hip-hop scene, he immediately quipped “Yun nga yung parang mali eh, you want to fit in, eh you’re never meant to fit in. Don’t ever try to fit in when you’re meant to stand out. Yun talaga for me.”

Schumi is a diamond in the rough—a prince carving out his space in the industry, hoping to be a king of his space in the future. You can check out his new album, “Fresh Prince”, on Spotify and other music streaming platforms. Antonio Emmanuel A. Espina


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