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Communication student directs short film bet in intercollegiate film contest

With high hopes to pave the way for the growth of the indie film culture not just within the University but also everywhere else, incoming fourth year communication arts student Julius Renomeron Jr., alongside his team, is now set to contend for the upcoming De La Salle’s Indie Un-film Festival on July 19 with their piece, Heist School.

Photo from Last Minute Films.

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With high hopes to pave the way for the growth of the indie film culture not just within the University but also everywhere else, incoming fourth year communication arts student Julius Renomeron Jr., alongside his team, is now set to contend for the upcoming De La Salle’s Indie Un-film Festival on July 19 with their piece, Heist School.

Last Minute Films, the team behind the masterpiece, is comprised of nine individuals: Klaire Dulay, the production manager; Julius, the director, and one of the writers and editors; Alvin Jamora and Keanu Managuas, the assistant directors; Johmar Damiles, the director of photography, writer and editor; John Paolo Barrameda, the sound recordist, sound designer, and one of the writers and editors; Pauline Carlos and Zhino Koe, the casting directors; and Ezren Caneda, the location manager and production designer. 

Four of its members were also part of TomasinoWeb, namely Johmar, former assistant chief photographer, Pauline, former photographer, and Alvin and JP, former videographers. Julius, the former president of TomasinoWebmeanwhile, is still a graphic designer for the organization.

Premiering in the One La Salle Film Festival last July 5 to 7, Heist School, moreover, became part of a company of exceptional student-produced indie films that came from various universities across the country.

Starting as their final project for their film class, and eventually dominating Sine Reel X, Heist School continues to represent UST in various film festivals.

The film tells the story of four graduating high school students who desperately want to pass their mathematics class, and how this band of unlikely teammates conquered the impossible.

Heavily influenced from Julius’s friendship with his co-writer, Johmar, he shared that the idea for a local version of a heist film was cultivated years ago. Inspired by the wittiness of the Oceans Eleven films and the charm of the indie film Patintero: Ang Alamat ni Meng Patalo, the budding filmmakers “opted to make a simple story about friendship” and how school and environment is a big factor to shaping a person’s moral compass.

Regaling about One La Salle Film Fest, screening their film to a wider audience is both a humbling and pressure-filled experience. They were able to share their experiences during production to fellow aspiring filmmakers, along with directors and writers from other film schools. In the film fest, he realized that it’s really not easy to make a film because it takes time, effort, money and a lot of building strong connections; you have to learn to be social and be exposed to different aspects of production and life.

Importante din pala na mag-invest on like-minded individuals that you think would help you improve and grow in life,” Julius said in an online interview with TomasinoWeb.

The aspiring filmmaker mused about the fellow filmmakers he met in the One La Salle Film Fest. Perhaps, we can expect a future collaboration with other young, aspiring filmmakers. So far, there have been nothing planned but their excitement about the idea of collaborating with very talented and skilled people is evident.

Experiencing first-hand the atmosphere and camaraderie of fellow filmmakers, he hoped that this energy can also be manifested within the University, where film culture is comparatively smaller to other universities who also screened in the film festival.

“[B]eing a filmmaker din siguro ay yung pag-build mo rin ng support system from your fellow filmmakers kasi in the end naman, kayo-kayo din ang magkikita sa industry,” Julius narrated.

A huge portion of his college career dedicated to TomasinoWeb, his experiences handling the Creatives Department and as the then-president contributed to honing his abilities in videography, design and handling people in production. As someone who struggled with the culture of feeling that we have to pursue the more “practical” programs compared to the arts, he tells that he took a lot of time before admitting to himself “na yung calling ko talaga ay for the arts/filmmaking.”

“At some point kasi you have to choose what really makes you happy and fulfilled as a person and nakita ko yun sa paggawa ng mga storya.”

It is important to find the right people who inspire and help you grow as a person and as a creator. In this light, we should not forget the mentors who championed our causes. Julius and his team would like to thank Sir Nico Hernandez for believing in their film even when they were only pitching ideas from the start.

For his fellow budding Thomasian filmmakers, he urged them to not “give up on your dreams,” be open to criticisms and that “it takes time to learn how to master a craft you want to pursue but it also takes patience to survive.” With Heist School competing in the Indie Un-film Festival, the Thomasian community should be in solidarity in supporting the film and the film industry inside the University.

Indie Un-Film Festival is an annual intercollegiate film competition organized by De La Salle University Green Media Group.

Eager for more? View their trailer here!

 

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The Rise of Galvanize

“Unang-una, sumasayaw kami kasi masaya kami doon. So, kung ‘di na masaya, parang nawala na yung purpose mo sa sayaw.”

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Photo from Asian Hiphop Philippines Facebook page

Known for their numerous achievements starting off as champions in Step Up 2016, honing gold from UAAP Streetdance Junior Division and down to the most recent performance as a qualifier for the Asian Hip-hop 2020 in Hong Kong—this team still manages to bring home the bacon as it was recollected by Nina Reyes, Liya Escudero, Manuel Ilagan and captain, Jonas Belgica.

Behind every success is a group that started from humble beginnings, which was formed by Mr. Angelo Sicat back in 2016 when the newly added administration and system of Senior High School in UST was established.

Fronted by Coach John, the organization always brings out their best and never forgets their roots. Besides hip-hop, they also have a contemporary division in the team which is led by Coach Dany.

Keeping up with an outstanding record, the team manages to hold up with the demand for new members every year since Senior High School only has 2 academic years. Because of this, graduating Grade 12 members are to be replaced by new ones who still have two years in their hands.

Nevertheless, despite a short exposure they still aspire for one another most especially for new recruits, “Kini-keep pa rin po namin yung bond, parang ayaw namin ma-feel na leftout sila basta as one po kami nagw-work.

Additionally, they practice devotion and praying before every competition which shows how much they value their efforts and how thankful they are with the bond they have. With this connection, they can say that they are unique from other dance organizations because of the values they uphold which strengthens them, “Nilalagay namin sa center si God.

Just like other organizations, they feel that pressure is part of the process of performing most especially how they always manage to win over every competition that they can get their feet and hands on.

“‘Tas laging sinasabi ng coach namin na ang mahalaga is mag-enjoy kayo, na after ng performance wala kayong regrets. So, manalo-matalo, masaya pa rin naman po kami and hindi namin hinahayaan yung pressure na yun mabago yung mindset namin.”, as the members narrate how they deal with expectations from the public. Trust is what makes them serve the best moves in the stage.

When asked how they accommodate their academic responsibilities notwithstanding the countless hours they dedicate to training, they find a way to patch it up by helping each other out. The key to this is by communicating with teammates, “Parehas din ng struggle mo, like, if parehas kayo ng strand makakausap mo siya in a way na magtutulungan kayo for acads and tsaka time management.”

With loads of challenges and trials upon their shoulders, they admitted that there was a time wherein it did cross their minds that they wanted to quit. But then, each of them realized that staying is much more worth it than walking away from the passion that they have for dancing.

As Nina and Liya recalls enthusiastically, “Kasi pag passionate ka po sa ginagawa mo talaga, sometimes, yung physical mo ganyan yung mental mo. Parang ayoko na talaga pero parang you find yourself pa rin doing what you love parang nasa heart mo na talaga eh.”

Manuel even shared how he battled the fear of quitting, “Ipapa-realize talaga sayo ng coach mo kung ano yung purpose mo kung bakit ko ginawa yun kahit mahirap siya. Doon mo mare-realize na it’s for your dreams din, para din sa sarili mo, para sa parents mo, para maging proud sila sayo.

Kung hindi siya masaya, hindi siya sayaw. Kasi, unang-una, sumasayaw kami kasi masaya kami doon. So, kung ‘di na masaya, parang nawala na yung purpose mo sa sayaw,” as Jonas denotes what drives him more amidst the difficult problems he faces as the captain.

With the mention of training, it is understood that it takes a lot of work and practice to master the art of dancing but some still think that it doesn’t fall under the category of sports.

Kasi naging mainstream na yung basketball, yung volleyball ganon. As in yun na yung tinitignan na permanent sport, ganon yung mga tao kasi parang limited lang yung understanding nila to what dancing really is kasi tingin nila gagalaw-galaw lang yun pero hindi nila alam na may certain requirement and certain kind of preparation na kailangan mo gawin para ma-achieve mo yung ganong klaseng mga movements,” they said.

Jonas Belgica, Darlo Emmanuel Ilagan, Lia Resabella Escudero, and Niña Marie Reyes | Christine Annmarie Tapawan/TomasinoWeb

There has been a stereotype about dancers and competitions because people think that since dancing doesn’t require a person to lift weights and only perform on stage for around 4 minutes, it’s not fully regarded as a sport––which is not right because it also needs training and proper discipline. The same as the amount of hardwork and effort that is put into sports like basketball and other sports. 

They reiterated that educating people about what dancing is all about will greatly change this kind of mindset.

They hope that this would change but are still grateful for the support they receive most especially with the upcoming Season 82 UAAP Streetdance and the 2020 Asian Hip-hop competition this coming May.

Dancing, whatever the genre an individual chooses to exhibit, is both a sport and art that expresses words into graceful and prodigious movements up to any extent the body can procure.

Freedom.

Love.

Fulfillment.

Competence.

For them, these four words resonated the sensation of being a dancer of Galvanize.

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“William,” gleam of a timeless gem

UST Mediartrix breathes new colors to Ron Capinding’s “William,” a rap-musical blending the works of Shakespeare and modern day culture.

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Jacqueline Martinez/TomasinoWeb

Once again proving its shimmer, a buried classic is revived in the present-day consciousness. Combined with an artist’s sentimental attachments engraved with humanity and art, deeper reflectiveness manifests—a process evident in William, an eponymous musical on the works of William Shakespeare. 

Bringing home seven trophies from the 2011 Philstage Gawad Buhay awards, William comes back to the theater scene. Written by Ron Capinding, the rap-musical blends the flavors of the 17th century with modern day culture. 

Directed by Nico Varona, UST Mediartrix breathes new colors to the piece as it presents William from the Philippine Education Theater Association (PETA). To the Thomasian audience, Mediartrix extends a story that emphasizes the importance of appreciation to classical figures and their works like Shakespeare’s.  

Heightening the vibrancy of the play, Jeff Hernandez’s music incites excitement in the audience with its lively beats and catchy lyrics. Using rap as an element of a classical 17th century figure, William bites into the modern audience’s contemporary palette. The exemplary music blends hip-hop, jazz, rap and R&B together, with artists effortlessly executing the transition from spitting rap bars to melodramatic lyrics. 

Sewn with five stories of high school students, William portrays the struggles of studying Shakespeare. The typical student stereotypes were characterized with relatable backgrounds and common denominators with real people: sophisticated Sophia, varsity-cool-guy TJ, studious Estella, student leader Richard, and the timid Erwin—each burdened with personal conflicts. Portrayed by actors who specialized in owning their narratives, their lives meet Shakespeare’s masterpieces as they find themselves in catharsis. 

Jacqueline Martinez/TomasinoWeb

Jacqueline Martinez/TomasinoWeb

Some of Shakeapeare’s works were translated into Filipino, and it brings the audience closer to his literature. It breaks the walls of people who will instantly close the pages after getting bombarded by highfalutin terms. 

The classical treasures like Romeo and Juliet, and The Merchant of Venice unfolded different worlds that still mirror today’s through the sense of humility, forgiveness, and bravery. However, their timeless value to the social fabric is often overlooked. There is an inadequate initiative in immersing with pieces of literature especially from the youth, and that is where William becomes an instrument. It approaches you with rap verses from the monologues of Shakespeare, providing an avenue to understand him in the language of people’s entertainment. 

The musical relates to everyone, especially to students. It is a treat for people who are looking for a productive but fun way to distance from their readings and other academic demands. It fuels the motivation in tackling difficult subjects like Shakespeare, leaving its audience determined to overcome intimidation, and more appreciative of learning. 

Jacqueline Martinez/TomasinoWeb

Comfort zones kill potential, discomfort is enlightening. It is not always tiring to twist and turn entanglements to understand the classics because there are countless ways to feed the minds of those who are hungry for meaning. For instance, there is William that will walk its audience through Shakespeare in a smooth-sailing ship. The playwright, musicians, actors, and entire production poured their heart into building a bridge to stroll alongside Shakespeare, one just have to take their first step.

William is screened in the Albertus Magnus Auditorium, University of Santo Tomas. The last showing will be on Feb. 1, 2020: 11AM, 3PM, and 7PM. Tickets are sold for 150 pesos only, and Mediartrix also offers ticket packages and discounts for those who will watch in groups. For ticket inquiries, contact UST Mediartrix for more information.

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Sila-Sila in its spectrum

Being under the constant waves of change, companionship paves through distances and personal struggles. The movie emphasizes that ‘ghosting’ also happens between friends and rekindling episodes are a challenge.

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Screengrab from Sila-Sila movie trailer

Giancarlo Abrahan’s entry for Cinema One Originals Film Festival Sila-Sila is a groundbreaking film that sprouts a queer narrative molded by queer people. Anchored to the intimate stories of real people, this ghosting film pierces through the lens of post-breakup experiences.

Its lead actors, Gio Gahol and Topper Fabregas had a harmonious rhythm as Gabriel and Jared inside one frame. With Gab being helplessly displaced and Jared as someone who craves settlement, they were in an endless loop of push-and-pull, making every scene burst in different colors of expectations.  

The film revolves around the story of Gab (Gahol), as he tries to reconcile with his friends (Phi Palmos and Dwein Baltazar) and his ex-boyfriend, Jared (Fabregas) after ‘ghosting’ them for almost a year. Fueled by guilt and regret, the old lovers find themselves igniting a fire that once burned the bridges that connected their lives.

Five minutes in and the sensual relationship between Gab and Topper will cuff the audience with its bare exposure of same-sex actualities. These characters played by both theater artists allow the scenes to flourish with remarkable nuance.

The scenarios in the film allow you to peek at realities that manifest through Gab’s life as a person who fails to find his roots being settled in one place. As his portrayal walks you through the story of uncertainties, the progress of the film lets you trace into a deep contemplation whether or not you may be the Gab or Jared in your own story.

Despite having fragments of scenarios that lowers the momentum of the film, it serves as a breath of fresh air as Gab undergoes the phase of vacillation. Gab’s journey of finding a home in people he once felt was is a cycle anyone can relate to. His doubts linger in trust issues and the feeling of not belonging. It soon uncovers that the quest of settling in places, people, and experiences will be unending unless one finds their sense of home.

Phi Palmos and Dwein Baltazar’s characters are spices to the story as they portray a decade-long friendship of overcoming tendencies. Being under the constant waves of change, companionship paves through distances and personal struggles. The movie emphasizes that ‘ghosting’ also happens between friends and rekindling episodes are a challenge.

Sila Sila won the Best Picture Award. Its undeniably well-plated palette satisfies the eye of the audience. A lot of scenes will tickle one’s humor especially if you are used to friendships that blatantly roast each other as a way of showing one’s love language.

Alongside its award-winning cinematography, Sila Sila also received the Audience Choice Award and Best Screenplay by scriptwriter Daniel Saniana. Also, Fabregas was recognized as Best Supporting Actor for his role.

“We’ll always love each other, however it manifests, it’s just always going to be there.”, this line by Jared carves through the hearts of those who had to let go of a person but never the love that they have for them. Gab’s relationship with Jared shows that there is never just one way of loving someone. Every day, with every version of themselves, love prevails. 

Distance can never make things small. It only deceives you from thinking that you’ve escaped your troubles. One way or another, you will find yourself crawling back because time never lets anyone off its claws—Sila-Sila teaches this. Furthermore, sometimes, having no closure is not the closure.

The character of Gab serves as an example that a person will remain trapped in the past unless they find closure from people and from themselves. People are bound to face the naked truth that we need to find our sense of home in this world that is full of broken fragments of imperfect individuals.

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