Connect with us

Blogs

Mga pelikulang mapagpalaya: ang 20 pelikula ng Cinemalaya

Sa panahon ngayon kung saan unti-unti nang nawawala ang laya natin para makita ang realidad, palayain ang sarili gamit ang mga kwentong pupukaw sa inyong kamalayan.

Published

on

cinemalaya 14 poster
Larawan mula sa opisyal na Facebook ng Cinemalaya

DISCLAIMER: Ang mga poster na nakapaloob sa lathalaing ito ay hindi pagmamay-ari ng TomasinoWeb.

Sa panahon ngayon kung saan unti-unti nang nawawala ang laya natin para makita ang realidad, palayain ang sarili gamit ang mga kwentong pupukaw sa inyong kamalayan.

Hango sa temang “Wings of Vision,” hatid ng ika-14 na taon ng Cinemalaya ang 10 full-length na pelikula at 10 maiikling pelikula na magiging kabilang sa paligsahan ngayong taon. Iisa man ang temang tinahak, malugod nitong ipriniprisinta ang mga palabas na iba-iba ang dyanra at paksang tinatalakay.

Bilang na lang ang araw upang mapanood ang mga pelikulang kabilang dito. Huwag palampasin ang pagkakataon!

Narito ang listahan ng maari niyong mapanood hanggang sa Linggo.

distance poster

1. Distance ni Percival Intalan

100 na minuto | Drama | PG

Sa kalabisan ng pighati’t lumbay, susubukan ni Liza (Iza Calzado) na bumalik sa pamilyang kaniyang inabandona nang limang taon. Paano nga ba nito muling makukuha ang loob ng kaniyang asawa’t dalawang anak? Sa kabila ng distansyang namumutawi sa loob ng silid, sisikaping punan ni Liza ang kaniyang mga pagkukulang bilang isang asawa’t ina.

kung paano hinihintay ang dapithapon poster

2. Kung Paano Hinihintay Ang Dapithapon (Waiting for Sunset) ni Carlo Encisco Catu

90 na minuto | Drama | PG

Hindi tulad ng ibang magkasintahan, si Teresa (Perla Bautista)  at ang kanyang live-in partner na si Celso (Menggie Cobbarubias)  ay may katandaan na. Sa gulang na tila napaglipasan na ng panahon, pinipilit ng dalawa na payabungin ang kanilang pagsasama upang hindi makaramdam ng pananawa. Ngunit, isang gabi nakatanggap ng tawag si Teresa mula sa kanyang dating asawa na si Benedicto (Dante Rivero) na may malubhang sakit at humihingi ng kalinga.

Sa muling pagkukrus ng nakaraan at kasalukuyang pag-ibig, paano nga ba dadalhin ng katauhan ni Teresa ang ibinigay ng tadhana? Sa kanilang paghihintay sa dapithapon, magkakaroon pa rin kaya ng puwang ang pagmamahal at pagpapatawad?

kuya wes poster

3. Kuya Wes ni James Robin Mayo

90 na minuto | Komedya | G

Gagampanan ni Ogie Alcasid ang katauhan ni Kuya Wes – isang masigasig at may pagkamahiyaing ‘remmitance clerk’ na ramdam ang pagkawalan ng importansya mula sa kaniyang kapatid na si Raf at sa pamilya nito. Nasasalat lamang niya ang halaga sa kaniyang trabaho, lalo na’t buwanan ang pagbisita ni Erika (Ina Raymundo) rito – ang customer na kaniyang natitipuhan. Ngunit, sa ‘di inaasahang pangyayari, hiniwalayan si Erika ng kaniyang asawang nasa ibang bansa.

liway poster

4. Liway ni Kip Oebanda

100 na minuto | Drama | PG

Hango mismo sa kuwento ng direktor noong kapanahunan ng Martial Law, ang “Liway” ay umiikot sa karakter ni Day (Glaiza de Castro) – isang butihing inang handang protektahan ang kaniyang anak na si Dakip mula sa mabagsik na realidad ng kanilang mundong ginagalawan.

Ang mag-asawang si Day at Ric, kasama ang anak nilang si Dakip, ay naninirahan sa Camp Delgado – isang seldang para sa mga rebelde’t kriminal na nakapaloob sa isang kampong pangmilitar. Sa gitna ng mga paghihirap nila sa kulungan, ipinagkalooban ni Day ang kaniyang anak ng mga kanta’t mapanlikhang kwento – mawalay lamang ito sa mga traumatikong pangyayari kanilang dinaranas.

mamang poster

5. Mamang ni Denise O’hara

90 na minuto | Komedya & Drama | PG

Dulot ng katandaan, si Mamang, kaagapay ang kanyang anak na si Ferdie, ay lumalaban sa sakit na dementia. Hindi nagtagal, lumala ang kondisyon nito at hindi na matukoy ang pinagkaiba ng realidad mula sa memorya ng nakaraan.

ml poster

6. ML ni Benedict Mique

90 na minuto | Suspense Thriller | R-16

Dahil sa pagtatanggol ni Carlo sa Martial Law, hinamon siya ng kanyang guro upang patunayan ang kanyang pahayag. Sa paghahanap ng kasagutan, kasama ang kanyang kasintahan at kaibigan, nakilala nila ang isang matandang retiradong sundalo na magiging daan sa pagtuklas sa katotohanan. Mananatili pa kaya ang magandang pagtingin ni Carlo matapos ang lahat?

musmos na sumibol sa gubat ng digma poster

7. Musmos na Sumibol sa Gubat ng Digma (Unless the Water is Safer than the Land) ni Lionel Arondaing

105 na minuto | Social Drama |G

Sa kabila ng hidwaan na nagmula sa kultura, nagtapo ang landas ng dalawang bata mula sa magkaibang angkan. Sa loob ng pitong araw pinili nila na tumira sa gitna ng kagubatan upang makatakas gulo. At sa mga ng pamamalagi sumibol ang pagmamahal at pagkakaibigan.

pan de salawal poster

8. Pan de Salawal (The Sweet taste of Salted Bread and Undies) ni Anna Francesca Espiritu

100 na minuto | Drama | G

Ang bawat araw ay isang malaking dagok para sa mga taong nakatira malapit sa riles, kabilang na dito si Sal. Si Sal ay 78-anyos na panaderong may sakit sa bato. Dahil sa kanyang malubhang karamdaman, binalak nitong magpasagasa sa tren. Ngunit sa pagdating ni Aguy, isang bibong bata, nag-iba ang lahat. Sa hindi mapaliwanang na rason, ang bata ay kayang magpagaling ng may karamdaman sa pamamagitan ng sampal o suntok. Marami sa lugar na iyon ang natulungan ni Aguy, maliban na lang kay Sal. Sa paglala ng sakit ng panadero, nagdesisyon si Aguy na gawin ang pinakamasakit na sakripisyo para sa kaibigang tinuring siyang anak.

school service poster

9. School Service ni Luisito Ignacio

95 na minuto | Social Drama | R-13

Sa libo-libong mga bata na nagkalat sa lansangan ng Maynila, anu-ano kayang mga kwento ang hatid ng bawat isa?

Si Maya, isang walong-taong-gulang na bata sa probinsya, ay tinatahak ang daan mula eskuwela patungo sa kaniyang bahay. Habang naglalakad, isang ‘School Service’, na sa hindi inaakalang pagkakatao’y mga sindikato pala, ang nagpumilit na siya’y ihatid na pauwi. Hatid ng kamusmusan, si Maya – kasama ang iba pang mga inosenteng bata – ay itinapon sa Maynila upang mamalimos kung saan-saan. Maatim pa kaya ni Maya ang mangarap para sa kaniyang kinabukasan? Madadakot pa kaya nito ang kalayaan bilang biktima ng ‘School Service’?

the lookout poster

10. The Lookout ni Afi Africa

105 na minuto | Psycho-Drama | PG

Sa mundo kung saan talamak ang panghuhusga’t panunupil, nariyan si Lester Quiambao (Andres Vasquez) – isang baklang ‘hired killer’. Bata pa lamang, inihubog na ng kaniyang relasyon sa mga mapang-abusong tao ang kaniyang puso na ngayo’y puno nang hinagpis at kabuhungan. Upang makaganti sa masalimuot na nakaraan nito, kakailanganin niyang pagtaksilan si Travis Concepcion (Jay Garcia) – ang lalaking kaniyang minamahal. Magawa nga kaya ni Lester na talurisain ang kaniyang minamahal? O mahahadlangan ito ng kaniyang pag-ibig para kay Travis?

SHORT FEATURE

si astri maka si tambulah poster

1. Si Astra Maka Si Tambulah (Astri and Tambulah) ni Xeph Suarez

18 na minuto | Fiction, Drama | PG

Sa isang pag-iibigan, paano nga bang maaring hadlangan ng tradisyon ang pagmamahalan ng isang lalaking cisgender at isang transwoman mula sa tribo ng Badjao? Bukod sa pag-ibig at tradisyon, ayon sa may akda, nais din ng pelikula na ipakita ang iba pang suliranin na kinakaharap ng komunidad ng LGBT.

jodilerks dela cruz poster

2. Jodilerks Dela Cruz, Employee of the Month ni Carlo Francisco Mantad

13 na minuto | Dark Comedy | R-13

Ang dedikasyon ni Jodilerks sa kanyang trabaho ay hindi matatawaran ngunit dahil sa nagbabadyang pagsara ng gasolinahan, ang trabahong kanyang nakagisnan ay mawawala na. Paano nga bang haharapin ni Jodilerks ang kanyang huling gabi bilang gas station attendant?

logro poster

3. Logro ni Kani Villaflor

15 na minuto | Drama | PG

Sawa na sa pagtrato’t sahod na natatanggap sa isang karinderya, tatahakin ni Bruno ang mundo ng “Underground Fighting” sa kabila ng pagiging pandak upang mapanalunan ang premyo’t makamit ang kaniyang ambisyon sa buhay. Mapagtagumpayan kaya ito ni Bruno? O tuluyan na lamang lilimitahan ng mapanghusgang lipunan ang kaniyang mga pangarap para sa sarili?

sa saiyang isla poster

4. Sa Saiyang Isla (In his Island) ni Christian Candelaria

20 na minuto | Drama | G

Sa kabila ng pagdurusa ng mga mangingisda sa nararanasang oil spill, may isang batang lalaki ang magbibigay ng galak sa madla sa pamamagitan ng kanyang mga kwento at pangarap na maging sirena.

nangungupahan poster

5. Nangungupahan (Who Rents there now?) ni Glenn Barit

12 na minuto | Drama, Family, Experimental | G

Tinatalakay nito ang bawat istoryang nakatatak sa isipan ng mga nanirahan sa isang kuwarto sa magkakaibang panahon. Bagamat nanirahan sa magkaparehong silid, iba-iba ang naging pamumuhay ng mga ito. Sa pamamagitan ng paghahabi ng kanilang mga alaala sa kuwartong iyon, sa huli ay mapagtatantong hindi lamang espasyo ang kanilang ibinahagi sa isa’t isa, bagkus, gayundin ang mga memoryang isa-isa nilang itinatak sa espayong iyon.

you me mr wiggles poster

6. You, Me and Mr. Wiggles ni Jay Velasco

19 na minuto | Drama, Comedy, Experimental | R-18

Kung kailan tila magkasundo’t magkatugma na para sa isa’t isa, susubukin ng tadhana ang relasyon nina Carlo at Anj sa pamamagitan ng isang gabi. Isang gabing may hatid na sorpresa’t balakid sa pagtatalik ng magkasintahan. Ituloy pa kaya ni Anj ang kaniyang relasyon kay Carlo gayong alam na niyang ito’y may ‘erectile dysfunction’? O tuluyan na kayang manlambot ang pagsasama ng dalawa?

babylon poster

7. Babylon ni Keith Deligero

20 na minuto | Drama, Comedy, Satire | R -13

Upang magawa ang misyon na patayin ang diktador, kinakailangan ng dalawang batang babae na maglakbay sa ibang panahon. Sa paglipat ng panibagong dimensyon, makakaranas ang dalawa ng mga kakaibang pangyayari tulad ng pagsasalita ng mga tandang at iba pa.

kiko poster

8. Kiko ni Jojo Driz

19:33 na minuto | Drama | R-16

Ang pagiging matanda at bulag ay hindi naging hadlang kay Kiko upang buhayin ang kanyang mga mahal sa buhay. Sa pamamagitan ng pagiging labandera, nasusuportahan nito ang kanyang ampon na si Ton-ton at ang lalaking kaniyang minamahal na si Rex.

siyudad sa bulawan poster

9. Siyudad sa Bulawan (City of Gold)  ni Jarell Serencio

15:16 na minuto | Drama | G

Ang magkakapatid na sina Yoyong, Abet, at Darwin ay papasukin ang madilim na kuweba ng Mt. Diwalwal sa Compostella Valley upang magmina ng ginto. Sa kabila ng panganib na dala ng iba pang mga nagmimina, maglalakas loob ang mga musmos na ito makapag-aral lamang at makaangat sa hirap ng buhay. Gaya ng kanilang minimina, kuminang naman kaya ang kanilang kinabukasan? O mawawalan na lamang sila ng pag-asa gaya ng gintong unti-unti nilang inuubos sa bundok?

yakap poster

10. Yakap (Embrace) ni Mika Fabella at Rafael Froilan

6 na minuto | Drama, Experimental | G

Nakaratay sa kama, isang babae ang kinakapusan na nang hininga. Sa nalalapit niyang pagpanaw, unti-unti niyang binibisita ang mga gunitain ng mga alaalang ‘di malilimutan. Kaakibat nito’y ang paglitaw ng isang lalaking pamilyar ang mukha na tila kaniyang tagapagsundo. Handa na kaya itong yakapin ang katotohanang kaniya nang lilisanin ang mundong ibabaw?

 

Ang mga Full Length at Short Features ay mapapanuod sa Cultural Center of the Philippines, Glorietta, Greenbelt 1, Trinoma, UP Town Center, at Legazpi City.  Bisitahin ang website ng Cinemalaya  http://www.cinemalaya.org/ upang makita ang iba pang detalye.

Comments

Blogs

Which UST street are you?

Published

on

Artwork by Tricia Jardin

Another year, another Buzzfeed-esque quiz that is based on purely subjective notions. This quiz can somehow garner questionable results as they can be entirely different from how one sees oneself, but still feel free to take a (good) three-minute break and validate which UST street completely molds your Thomasian existence. Enjoy! 

Comments

Continue Reading

Blogs

‘Awit’ and the normalization of transphobia

With music as a tool for liberation, we must not let the likes of “Awit” to limit our minds, let alone poison our culture with prejudice.

Published

on

Screenshot from the album cover of the now deleted song "Awit" on Spotify.

Erich Gabriel Bongon, also known as Young Vito posted a video of himself on Twitter singing a preview of “Awit” last Dec. 5, 2019, a song he that composed with sexist undertones and transphobic lyrics. Netizens were quick to call out the rapper when the preview is posted, prompting him to delete the video and issue an “apology.”

What happened afterwards? Was he cancelled? Was he given career opportunities after the incident? Did he change his ways and most importantly, did he educate himself on gender rights?

Young Vito is known to have signed a recording contract with Viva Records. With the record label having full knowledge of the incident, Young Vito and Viva Records have enabled themselves to go further: to release the same song with the same infamous lyrics, capitalizing off its notoriety on social media.

Awitis just one of the many Filipino songs propagating harmful ideas that does not only target the transgender community, but also encourages the normalization of transphobia and a culture of hate in the country.

Young Vito’s “Awitis a trans woman, with the singer implying that the woman deceives men, that there is something wrong with them. 

The song’s album art depicts a trans women using a urinal, as if implying that they should use the male’s comfort room; a controversial choice due to the ongoing debate on trans peoples’ comfort room access.

After receiving flak, the rapper posted an apology on Twitter, at the same time refusing to delete his video and liking tweets saying that people are “too sensitive.” He deleted the video afterwards.

A few days later, the rapper signed a five-year contract with Viva Records. After that, the song is released on multiple streaming platforms last Jan. 17, 2020 under Viva Records, with Emmanuel “NEXXFRIDAY” Salen producing and providing the beat for the track.

Photo grabbed from Young Vito’s Instagram account @youngvitoph

“Despite the controversy surrounding the song, Awithas been turned into a full-blown bop…,” the caption of the now-deleted lyric video in Viva Records’ Youtube channel reads. 

The song is then deleted on Spotify one day after its release.

Awitis just one of the many Filipino songs with transphobic lyrics. Songs like Abra’s “Gayuma” and Kamikazee’s “Chiksilog” portray trans women as someone who deceive men with their looks, while also spreading the notion that trans women are still men even if they have already identify themselves as women. 

One may think that the lyrics of these songs are harmless but for the transgender community, it makes their lives more difficult than it is.

In a country where the trans community are ostracized, where even some members of the LGBTQ+ community preach transphobia, where the likes of Hermie Monterde are still discriminated in the workplace, where personalities such as BB Gandanghari and Jake Zyrus are mocked online, where women like Gretchen Diez are shunned and arrested for entering the comfort room, where people like Jennifer Laude and Jessa Remiendo are murdered for being transgender – these songs spread dangerous ideas to the public. 

These songs normalizes harmful prejudices embedded in our culture. It hinders the LGBTQ+ community, especially the trans community’s fight for equal rights. It makes the idea of targeted discrimination and hate crime acceptable, painting a harmful image on people’s minds that it is normal to mock transgenders with the help of a song.

Music has been used to break the status quo, teach important lessons, and in some cases, aid in bringing down tyrants. With music as a tool for liberation, we must not let the likes of “Awit” to limit our minds, let alone poison our culture with prejudice. 

If we want true progress, we must lose the chains of backwardness binding us, and we can start by taking small steps—starting with picking good songs to listen to.

Comments

Continue Reading

Blogs

Kadenang Ginto is more complex than ever

The show may seem ordinary in the spectrum of teleseryes, but with the bouts of recognition and attention it harbors, shows like Kadenang Ginto may have the tendency to succumb to society’s patriarchal roots—a premise that has been the show’s subdued message from the very beginning.

Published

on

Photo from ABS-CBN News

Media and entertainment industries, especially in the Philippines, have undoubtedly created a number of teleseryes that got viewers hooked. Iconic lines from television shows made their way through social media, thus birthing an irreversible decade of video parodies, i.e. “Cassie, hindi ka muna papasok sa iskul” which came from the ABS-CBN afternoon prime show, Kadenang Ginto (directed by Jerry Lopez Sineneng and Avel Sunpongco). This particular boomerang created by the show serves as a primary example of the proliferation of teleseryes into the in-betweens of people’s mundane realities. 

Usually, Filipino TV formulas have just been restricted to cookie-cutter stories such as rich girl-poor girl rivalries, wife versus mistress conflicts, and other types of predictable stories with a recurring plotline—dramatically mirroring the struggles of which people could sympathize and in some cases, empathize with. 

Now, with the recent narratives of most materials, it is fitting to raise the question: do teleseryes, such as the case in point, subconsciously imply a patriarchal and capitalist society which can water down women’s roles as simply pawns of the men-splayed environment?

Dissecting the Initial Premise of the Show

The whole idea of the show displays a tangled story between Daniela Mondragon (played by Dimples Romana) and Romina Andrada (played by Beauty Gonzales). Romina, a glorified Secretary, marries the business tycoon and father of Daniela, Robert Mondragon (played by Albert Martinez).

Caused by jealousy, Daniela strived to emerge relevant by physically and emotionally belittling Romina to death, hoping that she could at least gain more relevance in the old Mondragon’s life. It gets more complicated when Daniela marries Romina’s past lover, Carlos (played by Adrian Alandy), who still has unresolved feelings for the latter.

While Daniela’s past actions remain important both in their family business and in the lives of the men involved, it seems questionable that all her intentions were for the sake of these men.

While it is also applauding that Daniela and Romina are their own persons who are fully responsible to stir changes necessary to keep the show going, one may question the end of not just the character’s intentions, but as well as the writers’ inclination to probe and provide a substantial arc for these characters.

It raises the question, especially during a period when a new character was introduced in the persona of Richard Yap, a rich businessman, who somehow became a catalyst on how the character of Romina can get back on track. 

Are the women in Philippine teleserye doomed to always be swept off their feet by some men to garner the easiest way out?

The show may seem ordinary in the spectrum of teleseryes presented by the network, but with the bouts of recognition and attention it harbors, shows like Kadenang Ginto may have the tendency to succumb to society’s patriarchal roots—a premise that has been the show’s subdued message from the very beginning.

Now (with the plot lines tangled and recurring), the characters and their progressions can be attested to hopeful major changes (thankfully), as lead female characters are taking matters on their hands especially with Romina Andrada-Mondragon gaining more control over her circumstances, a (seemingly progressive) march of silent revolution, veering away from the initial premises of the show – yet still bound to its original plot line.  

Trudging the Conventional

While the network’s teleseryes’ cookie-cutter and cardboard characterizations of women are proven formulas, fresh perspectives are always a welcome venture with the exploration of complex female characters. 

Writers and show producers must become more socially-reverberant that they not only choose to showcase shows that pay the rent. In the Philippines, it is slowly building its pace with independent films being at the forefront.

Unfortunately, most mainstream media consumers are still inclined with choosing the proven formulas so mass media practitioners also stick to what generates more audiences. What the consumers can do now is to try to become more adamant to good and progressive changes – utilize the everlasting “get out of your comfort zone” notion. 

Media, as compared to what it tries to cater to before, has certainly come a long way with the sprouts of powerful women characters here and there. Unfortunately, Philippine mainstream media and its consumers sat way comfortably in the reassurance of these boxed and usual beliefs.

It may possibly take a while for these teleseryes to do the same with their high intentions to generate money, even if the essential purpose of art to heighten and challenge the empathic tendencies of the people can definitely suffer.

Comments

Continue Reading

Trending