Connect with us

Blogs

Filipinx in your area: Should ‘Filipinx’ become the new Filipino?

Published

on

Fernardine Hernandez/TomasinoWeb

One of the things which utterly makes the Filipino language endearing are words such as siya and ikaw as a manner of referring to a person outside the conversation. Likewise, we refer to the persons in our family as anak, kapatid, kabiyak, and the likes. These words fully realize that the Filipino language is peppered with gender-fluid words — a stark contrast from other languages with distinct genders. 

On this basis came, however, the confusion for using words such as “Filipinx” and “Pinxy”. These terms weigh a lot of meaning and none at all — depending on which lens a person perceives it that we begin to question: where do we draw the line of political correctness?

Understanding the “Filipinx” Movement

In a recent report, the term Filipinx and Pinxy have both been recognized by an English language platform, Dictionary.com, alongside Filipino/a, Pinoy, and Pinay. These terms have been dynamically integrated into the language, mostly by Filipino immigrants and members of the LGBTQIA+ community residing abroad. 

The emergence of the Filipinx term was heavily influenced by the “Latinx” movement. Introduced by progressive Hispanic youths, the term “Latinx” is widely used by media outlets to address the pan-ethnic groups and the spectrum of genders in the Hispanic population. Eventually, the term became acknowledged across the globe; however, it was met with certain clauses, such as the deliberate disregard of Spanish and its gender-specific language. 

This accentuates how people, whether involved in the discourse of “Latinx” or “Filipinx”, are met with the initial reactions of resistance, especially when familiarity is displaced. 

While “Filipinx” and “Pinxy” are names utilized by Filipino immigrants, the online dictionary’s definition of the term scopes all inhabitants of the country, which enrages most citizens in the Philippines. 

Social media discussions regarding the use of the term were echoed with confusion and displeasure as they argue that the “Filipinx” neology, as suggested by Filipino immigrants, seems to further put distance to their axes and the axes of social narratives of Filipinos here in the Philippines. Moreover, many argue that the whole conversation on “Filipinx” is believed to conjure only from the immigrants’ penchant for the glittering culture of the Philippines—an occasional cultural immersion with tangible quirks in form of adobo and Filipino moms—coupled with a distant understanding of the struggles of the people. 

On the other hand, the proponents of “Filipinx” seek to elaborate on the relevance of the term most importantly in a colonial-bred culture. Discussing the topic of Filipinx from the lens of an immigrant, AnneMarie shared in her blog how the Filipinx movement, like Filipino, came from the desire to be seen and not to be caged from oppressive systems hand-picked by Western ideologies.  

“Both the terms Filipino and Filipinx stem from this desire to carve out an identity and from a movement resisting oppressive systems,” the blogger said. 

The Filipinx movement also touches the discourse on gender-inclusivity as it acknowledges and respects the non-binary citizens of the Philippines both here and abroad who, for so long, struggled with identifying themselves from traditional impositions. 

The people who refuse to veer away from “Filipino”, however, were quick to point out that the term is a collective nomenclature for citizens born of Filipino parents, regardless of any distinctive factor such as gender and place of birth, thus a particularly irrelevant discussion. 

The Language of Colonialism

READ  UST ranks 2nd in 2014 Registered Electrical Engineering Licensure Exams

Gender-neutral terms, nonetheless, do not wholly define the aspects of our language. As our history is interlaced with the colonial narrative, our culture exists as an amalgamated system of beliefs and traditions. Examples are the word “Filipina,” as a determiner of a Filipino woman, and a roster of professions that end in -o and -a, are all indicative of the influence of Spain’s gendered-language in our vernacular. 

Furthermore, the introduction of certain adjectives nitpicked from folklores such as maganda for babae and malakas for lalaki; looped phrases of “Kay babaeng tao” and “Kasi lalaki eh” all hold a subtle nuance of gender-exclusivity. Whether these were inherent or more likely imposed from the systems of patriarchy, there exist varying gender identifiers in our language—-which ultimately breathed life to terms such as Filipinx and Pinxy that challenges to disrupt them. 

The Middle Ground 

In an interview with Prof. Galileo Zafra Ph.D., the former director of Sentro ng Wikang Filipino of the University of the Philippines, he emphasized the emergence of Filipinx in today’s context. 

Ang pangangailangan ng paggamit ng wika o isang aspeto nito ay nakabatay sa kung may nakikitang pangangailangan dito ang lipunan o ang mga espesipikong grupo o sektor ng lipunan,” he said. (The emergence of a lexicon is based on a need from the society or a specific group in the society.)

Filipinx and Pinxy, regardless of its unfamiliarity and their weird roll-of-the-tongue sounds, encompasses the axial culture of the global diaspora spurred from the need to be recognized and seen. While it cannot be completely received, in essence, they are determiners of narratives that are as substantial as our narratives in the Philippines. Their existence does not mean invalidation of our history. These are not an erasure of Rizal’s revolutionary stance of owning the term Filipino from Spanish-bred citizens of the Philippines during the nineteenth-century; rather, these terms are taking space and planting themselves as part of the whole language and cultural dynamic—one which we are continuously writing and rewriting each day as our own, despite the vivid bouts of oppression from post-colonial systems. 

In the grand scheme of things, the core of the discourse is anchored not on the question of what we collectively call and identify ourselves as, but a question of how we craft our identities to become worthy narrators of the country’s story. One must fully understand that the Philippine narrative is composed not only of the plethora of quirks that we take pride in. More importantly, it  is composed of the grapples of each marginalized sector that ultimately tests the lengths we can go to, from the lenses of our privileges, to wrestle the systems that cease our identity.

Comments

Blogs

Thomasian musicians to add to your playlist

With all the new takes on OPM, let’s not forget about our fellow Thomasians who are persevering to let their craft be known in the mainstream media. Support local, support Thomasian artists.

Published

on

The rise of Spotify, Apple Music, SoundCloud, and other music-streaming platforms paved the way for more artists to share their craft with a broader audience. It is now easier to promote your material through social media, while people can seamlessly listen to your music through different audio platforms on-demand without splurging too much cash. A basic subscription plan lets anyone stream all the music they want and play your songs on repeat. With this boom in the music industry through technological advancements, artists are inspired, now more than ever, to produce more music and give sick beats to avid listeners.

Here is a shortlist of Thomasian musicians you can stream on your music platforms.

1. Al James

(Photo courtesy of Jilson Tiu)

Before he was front and center in most gigs and before his music was blasted through the speakers of bars, Alvin James Manlutac, famously known as Al James, also sat in the rooms of Beato as a student under the College of Fine Arts and Design. In launching his first hit, he also doubted himself because he knew his style did not follow hip-hop norms. But fast-forward to today, his crafts are among the most famous songs played in the nightlife scene, as well as in casual get-togethers with your friends.

Manlutac permeated the fine line between underground and mainstream when he released his song ‘Pahinga,’ gaining more than 7.3 million views since its release three years ago.

Screengrab from Presko Life PH

2. Migo Señires

(Photo from DBTK)

Like Al James, Migo Señires also spent his college days in Beato, studying Advertising Arts in the College of Fine Arts and Design. They are both a part of the Baryo Berde crew, a multi-talent collective that fixates on culture and art. 

Señires released his song, Kara,which garnered more than 141,000 views since it was posted on his channel. He claims that he wrote it for the younger people who forgot their roots and the older ones who get frustrated when they can’t keep up with modern times. 

3. Schumi

(Screengrab from YouTube/Schumi)

When he is not walking around the halls of Ruaño, he may be singing center stage. Albert Guallar, famously known as Schumi, has been catching ears in the local hip-hop scene. He first started producing music and uploading it to SoundCloud, which then garnered the attention of people who had an interest in hip-hop. In an interview with TomasinoWeb, he said that his Schumi persona — writing music and such, is his gateway to express his emotions. It was an effective venue to vent out feelings of heartbreak and sadness, which, in this instance, was his breakup with his girlfriend. 

Schumi’s hit song ‘Bakit Why Not’ talks about breaking norms and protesting against some stereotypes like gender roles. Its music video has amassed more than 10 thousand views within two months of its release.

 

 

4. Himig Borhuh

(Photo from Himig Borhuh’s official Soundcloud)

From walking around the halls of the Albertus Magnus to being in the spotlight of #USTPaskuhan, Himig Austin Borja, a Music Technology student from the Conservatory of Music, has been making a name for himself. In an interview with UST Tiger TV, he said that he didn’t really envision himself to major in music since he was inclined to sports and was a basketball varsity player during his high school years. He also did not expect his hit song, ‘Watawat,’ to become well-known and was surprised that lines from his song became widespread after its release.

Himig Borja’s ‘Watawat,’ featuring Schumi, was a song that garnered attention during the last UAAP season. The line ‘ang medalya at korona ibalik na sa España,’ reflected the community’s yearning to secure another championship and showed the support Thomasians have for all our sports teams as well as the pride we have for our school. 

5.  Adrian Aggabao

(Photo from Adrian Aggabao’s official Instagram account)

Adrian Aggabao, popularly known as ‘Don Bao,’ is a Raymund’s local from the College of Commerce and Business Administration. Like Schumi, his music career also began when he started publishing his music on SoundCloud. Since then, he has secured multiple gigs during his downtime. Most of his music speaks about social realities and what’s nice about it is that he has his family as his inspiration. 

Don Bao’s song ‘Pasanin’ emphasizes on the lessons that a life filled with struggles and obstacles brings. Having dropped this first video on his Youtube channel about a year ago, it has garnered more than 2.3 thousand views. 

6. BarbaCola

(Photo from BarbaCola’s official Facebook page)

From UST Musikat’s band pool, the band BarbaCola was formed with Renz Jerique from the Faculty of Arts and Letters on vocals, Raja Rayas from the College of Education on bass, Cedrick Santa Cruz from the Faculty of Engineering on lead guitar, and Raemonn Petr on drums.

BarbaCola’s song ‘Senseless’ runs along with the themes of alternative and indie genres, mainly focusing on the ups and downs of love and how it is a war that one might not survive.

7. VFade

(Photo from Patrick Valentine Cabanayan’s official Facebook account)

Patrick Valentine Cabanayan, more commonly known as VFade, hails from the College of Science under the Department of Mathematics. In an interview with UST Tiger TV, he stated that his interest in music developed when he was in Senior High School, specifically during an apprenticeship under the Music, Arts, and Design track. He tried out music production and also ventured into rapping. 

His song ‘Andito Lang Ako’ expresses love and affection for a significant other. The song itself embodies the wide array of emotions one might feel when in love and how some minute details in the world seem brighter in the presence of strong feelings of attraction.

8. OMEN, Carty and Ballen

(Screengrab from YouTube/OnlyOneOmen)

All coming from the same Advertising Arts class in the College of Fine Arts and Design, third year students OMEN (Ron Flores), Carty (Zack Garcia), and Ballen (Allen Agulay) recently made their brainchild available to the public. The trio, who consider themselves brothers from another mother, has collaborated to release a new song entitled ‘Karma Comeback.’

As a collective, they claim that they made the song ‘Karma Comeback’ for fun since quarantine made it hard for them to bond and share their sentiments. By collaborating, they delved into their passion, music, art, and dumb sh*t, as they say.

Thomasians have always been present in every field, more prominently in the music industry. Their growth as artists and musicians will be exponential if we continue to support them and their work. With all the new takes on OPM, let’s not forget about our fellow Thomasians who are persevering to let their craft be known in the mainstream media. Support local, support Thomasian artists. 

 

READ  Should intersex individuals be included in the LGBTQIA+ spectrum?

 

 

Comments

Continue Reading

Blogs

What is your aesthetic?

Published

on

Comments

Continue Reading

Blogs

How to apply clown makeup

Did you know that circus clowns make $60,000 a year while you’re out here doing it for free?

Published

on

(Artwork by Patricia Jardin/TomasinoWeb)

When Miles Edgeworth said, “You are not the clown. You are the entire circus,” I felt that.

Did you know that circus clowns make $60,000 a year while you’re out here doing it for free? It’s the first day of April and what better way to commemorate this annual holiday than putting on your best clown makeup! From McDonalds to your local emoji, we’re here to help you channel that inner Boo Boo the Fool in you. 

First, make sure your skin is prepped nice and clean. Bold assumptions and hasty generalizations usually make a good base. These tend to last longer because you refuse to take them off. You can use your two fingers, a sponge, or your foolish thoughts to apply it evenly. 

Now it’s time to build on those assumptions and paint your canvas. Start off by carving out spaces on your eyes and mouth where you will be applying the colors. Depending on your preference, you can choose to paint the eye with the same color or two different colors. When deciding which color, be quick and impulsive. Then, remember to paint it with inconsistency just like your thoughts and words. 

The cheeks and mouth will be red. Luckily, there are a variety of rouge shades in clown makeup. We recommend using the palette “Red Flags,” which you can get for free when you use the code “NOLABELS” or “CAN’TCOMMIT” at checkout. Color in your cheeks with a soft red color, perhaps in the shade “Here for a good time, not a long time” or “Only talk about themselves but never ask about you.” Don’t spend so much time blending because the key here is completely ignoring it.

The mouth is the highlight of clown makeup. Our tip is to overline your lips to the degree you overthink. You can then go ahead and color it in, but this time with a more intense shade of red. The shades “Entitled,” “Manipulative,” and “Caught cheating in 4K” are the most tolerated in the clown community. 

Accentuate the details of your look by making outlines around your eyes and mouth. Again, depending on the look you’re going for, you can make the outline as thin as your chances with that person you’re simping over or as thick as your audacity to get back with your ex after getting off a 3-hour phone call with your best friend who clearly told you not to. 

Of course, we can’t forget about the cherry on top and the crowning glory of clowns: the wig. There’s a wide variety of colors you can choose from but select a wig that will fit your head and perfectly cover up all your tomfoolery, bamboozlement, and wishful thinking. 

If you have cash to spare, throw in a costume and some oversized shoes that will help you jump into conclusions better. Don’t forget to pop on a red nose and voilà! The circus is complete. 

The art of clownery is one that is hard to master, yet the community keeps growing. And that speaks volumes. Clowning isn’t just a coping mechanism, it’s a cultural reset, a lifestyle, a reason to breathe, and an escape from this cruel world. 

Most importantly, it’s harmless because the only person you’re fooling is yourself. Happy April Fools‘!

READ  Freed

Comments

Continue Reading

Trending