Connect with us

Blogs

12 Places of Christmas: Meralco Liwanag Park, Pasig City

The 12 Places of Christmas is a TomasinoWeb Christmas special featuring 12 places that are dressed up for the Yuletide Season.

Published

on

The 12 Places of Christmas is a TomasinoWeb Christmas special featuring 12 places that are dressed up for the Yuletide Season. Thomasians, here are some suggestions where you can enjoy the holidays with your family and your friends. Part 5 of 12 

 

     WHAT better way to enjoy the Christmas break than enjoying a night under lights that don’t make you worry about the electricity bill?

     Manila Electric Company (Meralco)’s main office in Ortigas once again opens its doors for the Yuletide season to share their bright “Liwanag Park” to the public.

     Families can enjoy the lights from the small parols, Christmas lights, and the occasional camera flash from the visitors as they walk around the park located in front of the main building of the Meralco compound.

     The park also includes a “Christmas village,” wherein children can play around the decorated houses. Also, they can enjoy a tour of the village via an electric-powered train in the middle.

     The front of Meralco’s main building is fitted with a number of little parols that illuminate the night sky.

     Across the park are huge copper figures of Joseph, Mary, and the infant Jesus, along with the three kings portrayed by three Meralco linemen.

     A small figure of a church can also be found at the left side of the building, marking the border of the area that can be accessed by visitors.

     The park is a product of the company’s “Maliwanag ang Pasko” project through the One Meralco foundation in 2011, which aims to send 1,000 children to school every year.

     So if you’re looking for a way to enjoy Christmas without spending much, stop by Meralco’s Liwanag Park for a truly enlightening experience.

 

By Raul Miguel C. Capalad

Photo By Trish Lavarias

Comments

Blogs

How “Neneng B” Reflects Women in the Music Industry

“Neneng B” is just one of the examples that vividly elaborates on the sexuality of women – not in an empowering manner which celebrates the spectrum of the female gender, but in an openly degrading stint.

Published

on

Screengrab from Neneng B (feat. Raf Davis) official music video

Just recently, the song “Neneng B” by Nik Makino is receiving a legal backfire not for the reasons most people would highly assume and would likely prefer; rather for illegally acquiring the beat of the song from a European music producer, Roko Tensei. Though many clamor for it to be taken down over its hypersexually explicit lyrics, copyright issues may be the best chance for the removal of this song in the music industry – a compromise that people would gladly not take for granted.

It is worth noting that ever since the song rose to its popularity, dialogues on the issues of objectification and sexualism had been circulating the internet. Still, it managed to get at this point wherein children are blindly singing along with its lyrics without careful thought, and even procured dance moves that might downplay its real issue (and its actual purpose) to mere entertainment. 

This is not a new territory which people would trudge on as these issues that obliterate the sexuality of women has been highlighted for various international artists. It doesn’t mean, however, that it excludes the Philippine music scene. “Neneng B” is just one of the examples that vividly elaborates on the sexuality of women – not in an empowering manner which celebrates the spectrum of the female gender, but in an openly degrading stint.

Using the “Boys will be boys” Card

For years, the music industry has been blatantly harsh on women. It has been putting up transparent barriers that let women sit still and be policed by the so-called standards. This, in itself, allows objectification to pile up in the community. It is no surprise, however, for the industry has been contained in a male-saturated patronage.

For instance, the issue on Taylor Swift and her music being prohibited by two men – who are heads of the record label in which she used to be part of – says a lot about women being seen as mere catapults to the success of men. 

This does not mean to turn its back on the considerable struggles that men in the music industry is also going through. It takes into account all discriminatory regards towards both genders. In retrospect, however, the scales tip more on women being the frequent receiving end, and most of the time, it is shunned by moguls that focus more on providing quantitative measures, more so in a patriarchal system. 

Now, with the issue of Makino, in an artistic aspect, it could be claimed as a way of creatively expressing his art in a free medium that strips off any political or social undertones. However, this very action, whether it is fought to be a creative expression, intends to put harm on a group of persons, blatantly attacking and obliterating their freedom of expression.

It should be known that songs like these give free passes by charging it to the “boys will be boys” notion and openly allow men to determine according to their liking how women should be regarded in this society. 

Changing the Narrative

In a generation gearing towards neutral liberalism, women are making active and loud choices to voice out their experiences. This may give insight on changing perspectives of women. 

For instance, Bethany Consentino, the other half of an American rock duo Best Coast, called out the restless magnification of sexualism in the music scene through an essay. She voiced out how during gigs, overtly sexual phrases are still being used, which she refuses to be used on her and every woman in the industry.

“I am supposed to not only stand there and take it but also digest it as a compliment to add to my fierce arsenal of sexy confidence,” Consentino adds in disappointment. 

“I’ve had guys outwardly tell me it’s different because you’re a girl.” Becky Bloomfield, frontwoman of punk rock band Milk Teeth, also recounted her experiences of gender discrimination in the music scene. She even pointed out how it was surprising for her male colleagues to know how much she was literate in the technical language of a concert gig. Unsurprisingly though, this just confirms the degrading image of women in the industry. 

Some are small, yet sure steps taken. There are noticeably shifts in the rose-colored notions of allowing men to overpower women through the empowerment given by the media, speaking up when the situation calls for it. These small steps become the very foundation of an ideology that seeks not only to empower the female spectrum, but all persons regardless of their gender. 

Even with such empowering acts that spring up from this situation, it is still important to note that they do not counteract the damages done and those who should be held accountable as prime proliferators or accessories to this issue must still be recognized. And women, surely, are not ready to back out just yet.

It is concerning how misogyny is still blatant and harsh these days despite how many are outspoken about the issue on hand. The world will never achieve equality if they never give way for change, especially when it comes to music – an important art form that the people stick to their hearts.

Comments

Continue Reading

Blogs

Short Does Not Mean Lacking: Short+Sweet Theatre Festival

Famous for their 10-minute plays, Short+Sweet Theatre Festival is a theatre play festival where writers get the chance to have their scripts be realized in Short+Sweet’s stage. It originated from Sydney, Australia in 2002 and slowly began expanding, reaching cities like Dubai and eventually Manila in 2015.

Published

on

Short+Sweet theater play
Photo by Andrei Tolentino

Clearly, “The biggest little play festival in the world” did not just mean the length of the pieces performed. It also meant making sure that they made the most out of every second.

When we think of indie productions, we often think of movies or songs that offer something outside of the norm. Rarely do we associate it with theatre plays or musicals; we often see these as productions done in cinemas or high-end theaters. Little did we know, some of the best theatrical pieces sat right under our noses and took less than an hour of our time! Such an example is Short+Sweet Manila and their annual Short+Sweet Theatre Festival. 

The Short+Sweet Theatre Festival is a theatre play festival where writers get the chance to have their scripts be realized in Short+Sweet’s stage. It originated from Sydney, Australia in 2002 and slowly began expanding, reaching cities like Dubai and eventually Manila in 2015. While not limited to theatre plays, Short+Sweet is most famous for their 10-minute plays. These plays have become the opportunity for actors, directors, and writers get together to bring their creations to life.

This November, I had the chance to witness some of their performances that were held in The PARC Foundation in San Juan. There were 3 time-slots of shows namely the Wildcard, Mainstage 1, and Mainstage 2. The tickets were seemingly affordable at 350 pesos as compared to a full blown production and the means to get them were very simple. Not to mention, they provided a specific guide on how to get to the venue. Other than that, here are some ways that Short+Sweet show that they are indeed “The biggest little play festival in the world”. 

The diversity of themes and topics that they present

One of the things that make indie films great is the fact that they are given the liberty to tackle any topic that they see fit. Short+Sweet Festival’s plays are no different. The writers are given freedom on what they want to talk about in their works and it makes for some of the boldest yet most candid takes on some of the less-talked about topics in society.

The plays that I was able to watch gave unique takes on commonly tackled topics in today’s media, without being cliche or too predictable with the plot. They were also very candid on their opinions of the topics without being insensitive or offensive. The takes were open and honest, giving a straightforward depiction that ultimately prove a point by the play’s end. It was never too careful nor too brutal.

theater play open arms

The 10-minute format makes for interesting storytelling

One of the most popular characteristics of the Short+Sweet Theatre Festival is that the plays are exactly that: short and sweet. The plays are given only 10 minutes of runtime which leaves it to the writers, directors, and actors to come up with the best way to tell the story to the audience. Amazingly, they are still able to develop the characters as well as tell a deep and convincing story without feeling rushed or worse, lacking. They were also very creative with the plot twists each play had, leaving the audience in awe at the end of each play.

I had the opportunity to talk to one of the directors namely, Mr. Phillip Latonio. He was able to give some of his insights on the format. Latonio is a Thomasian alumni from the Faculty of Arts and Letters, who is also the director of the play “Misadventure Time”. He said that he finds the format “fun yet challenging” as he has to come up with a way to fit the writer’s vision within the 10 minutes that was allotted.

Theater sitting at table

Easily accessible for independent writers, directors, and actors/actresses.

One of the things that Philip was able to tell me was how he found out about Short+Sweet Manila. He said that he was invited by a friend to join and has continued to follow Short+Sweet since. According to him, the process is relatively simple for someone who would like to be a director or talent. All they would have to do is submit a resume or CV when the openings come up and wait for a response. If accepted, they get the chance to select the script they want to direct from a pool of scripts submitted.

For writers who want to submit their script, the Facebook page as well as the website offer up instructions on how they can send in their work. The page serves as a means to notify and update actors, directors, and writers on the updates regarding their applications. Actors may also submit videos of their prior performances in place of an audition. Such is the experience of Angelo Del Rosario who had learned about Short+Sweet after a director asked him to audition to replace a cast member who had fallen ill.

Theater Auditions

Auditions being held for the Short+Sweet Theatre Festival. Source: Short+Sweet Theatre Manila Manila Facebook Page

A pleasant environment for everyone

The actors roamed freely around the venue as they were preparing for their plays. You can hear the support from each other as they traded uplifting words across the halls. There were also some who congratulated performers of the prior timeslot. The viewing angle was also at the eye-level of the audience which made the production that much more immersive. 

Philip Latonio stated that he enjoys participating because it allows him to meet new friends as well as to explore his creativity as an actor and as a director. Angelo on the other hand, finds it as an opportunity to escape from his job as a college professor. The experience also allowed them to explore a different type of style and in the case of Philip, used the experience as a gateway to other forms of theatre.

Short+Sweet bench

Short+Sweet Manila’s theatre festival proved to be a showcase of some great talents that may not have been appreciated without their stage. It offers an experience that captures the imagination of their audience and inspires the creativity of their artists. The broad range of topics and the candid takes on these topics provides a refreshing new look that audiences will surely enjoy or at least respond to. Add to that the affordable price and the friendly staff to match, and you will surely have a great time in “The biggest little play festival in the world.”

Comments

Continue Reading

Blogs

12 Tweets summing-up this year’s CDC

The Salinggawi Dance Troupe never faltered to show the magic of their performance. The question is, what did the Twitter-verse say in the midst of every leap and toss of CDC’s dancers?

Published

on

Photo by Christine Annmarie Tapawan/TomasinoWeb

What’s up CDC? Yesterday, the Salinggawi Dance Troupe never faltered to show the magic of their performance. They not only managed to win the hearts of their fellow Thomasians but also the hearts of people from its competing universities as they landed 4th runner-up in the overall ranks. The question is, what did the Twitter-verse say in the midst of every leap and toss of CDC’s dancers?

Here are some of the tweets that documented the highlights of this year’s Cheer Dance Competition:

1. This year’s themes are:

 

2. So, you’ve heard of the rumor that Thomasians are shapeshifters.

 

3. Jokes on you all. Thomasians are allegedly the Lord’s favorite. 

 

 

4. There’s quite an uncanny resemblance here!

 

 

5. Calling all FEU students! A go-signal has been declared. 

 

 

6. Did anyone see the mayor coming?

 

 

7. Get you a performance that could serve you all 4 of these looks!

 

 

8. Magic is within Thomasians as shown by Salinggawi. Want more evidence? Expecto Patronum!

 

 

9. Speaking of magic, are you ready to have the most magical night next month? *coughs* Paskuhan? *coughs*

 

10. GO USTe! GO USTe! GO USTe! GO! GO! GO! GO!

 

 

11. CDC brought to you by yours truly, your mom.

 

 

12. Blame your fever on this one!

 

 

The Cheer Dance Competition once again proved that Thomasians, or maybe other students of UAAP schools too, always have a strong school spirit. Not only does the support ooze from those who stay in the University right now but also from its alumni and those who admire it. 

Together with one mind and spirit, we chant, “Go USTe!”

Comments

Continue Reading

Trending