Connect with us

Blogs

10 iconic Filipino memes that got us through 2021

Let’s admit it, 2021 is 2020’s close cousin. Here is a quick recap of some of the most iconic memes that kept us going throughout the year.

Published

on

Artwork by Mikaela Gabrielle de Castro/TomasinoWeb

Let’s admit it, 2021 is 2020’s close cousin. In some cases, they are different, but they’re made from the same mold. Everything that happened this year reminds us that we are still stuck in this seemingly interminable clownery. It’s like the Always Has Been meme, which is a photo of an astronaut staring at Earth while another astronaut points a gun at the former.

Just like last year, ugly headlines tried to get on our nerves. But we are Filipinos. It’s not a lie when I say we are too creative. We love to put humor in dealing with everything that happens. Whatever absurdity or hilarity we see on the internet, we translate them to different relatable memes and share them on Facebook or Twitter. 

Here is a quick recap of some of the most iconic memes that kept us going throughout the year, in no particular order:

1. Lyca and Karen Davila sharing the same birthday

Photo courtesy of Karen Davila/YouTube

Lyca Gairanod is not only the first winner of The Voice Kids Philippines, but also our favorite meme queen. 

When Karen Davila interviewed her last August, the journalist asked for her birthday. Right after knowing that they share the same birthday, Davila, showing her tita vibes, screamed “Oh my god!”, startling Lyca. And then, a meme was born.

To make things more special, they really celebrated their birthdays together on November 21.

This is the perfect meme to use when you pretend to be shocked, or when you and someone quickly become besties after realizing that you share a lot in common.

Everyone loves our Scorpio kween with her classic unapologetic reactions. And I bet there would be a new one come 2022.

2. Nadine Lustre buying lechon sauce

Photo courtesy of Arah Mae Conte

Have you ever woken up and asked yourself, “What does it feel like to be Nadine?”

Bare-faced and dressed simply, the actress remained stunning in a candid photo while buying condiments at a local Siargao store. And as usual, this went viral, launching several hilarious memes on social media right away.

One can use Nadine’s viral photo as a template for humorous moments when purchasing consumables such as food and drinks in a sari-sari store, or to simply put, when you’re outside wearing your most comfortable clothes because YDGAF.

In fact, several netizens recreated the iconic Nadine Lustre look for Halloween.

Her sheer beauty is obviously resonating despite living away from the metro. And honestly, it’d be a fantasy fulfilled to be as gorgeous as Nadine.

3. Trese blessing us with a cornucopia of funny memes

Photo courtesy of Netflix

Way before the Netflix comic book adaptation became a trend, Trese was already highly anticipated because of its creative marketing. 

Although after its release, there were some mixed reviews on its fast-paced storytelling, cliché climax, and off-putting dubbing. Despite this, the popularity of the series still prevailed. Thanks to the memes of witty Filipino netizens, Trese’s media engagement further skyrocketed.

For example, look at that BIG Choc-nut our protagonist bribes to Nuno every time she needs the latest chika in the supernatural world! And yes, we need that size to be available nationwide.

While the series per se wasn’t exactly comical, it had its moments, especially with relatable scenes. Trese may not have been what most of us expected it to be, but it’s still a treat for our patriotic hearts.

4. DTI’s standardization of Adobo

Photo courtesy of Nel Opolento/Facebook

One should never forget that even the innocent and revered Filipino dish was unable to escape the outrageous minds of public officials.

Last July, the Department of Trade and Industry proposed to standardize Adobo for international promotions, which offended many netizens. Doing this amid the looming threat of Delta variant at that time warranted aggravations from the public eye.

Every time the government prioritizes needless interventions, we returned the favor by mocking them with memes.

Satirical responses dominated social media. As a result, the government agency clarified the fiasco.

This is neither the first nor the last time the present administration failed to understand what the Filipino people need the most. But I’d like to be optimistic in the years ahead.

5. Madam Inutz and her kalog personality

Photo courtesy of Daisy_licious Ukay/Facebook

If you have no idea who she is, you’re missing a lot.

Online seller and vlogger Daisy Cabantog, more commonly known as Madam Inutz, took social media by storm with her eccentric ways of live selling. The internet phenomenon always showed her unfiltered true colors through her witty banters and vibrant actions. And these were conspicuous on her debut single entitled, Inutil.

At the time of writing, Madam Inutz is a contestant in the latest edition of Pinoy Big Brother. Even if she’s not selling ukay-ukay clothes, she doesn’t stop trending online.

If truth be told, she deserves all the attention and admiration from Filipino netizens. Because who’s not going to like her? She’s funny, straightforward, and most of all, genuine.

Ow Jiiieva! That’s why we have to protect Madam Inutz at all costs.

6. TikTok sensation Esnyr Ranollo and the nostalgia of high school life

Photo courtesy of esnyrrr/TikTok

Missing your face-to-face classes? Meet Esnyr Ranollo and his characters that represent all of us in high school.

The 20-year old breakout star understood the assignment with his viral TikTok skits. Even so, we love the true to life creations of Esnyr because it’s mundane, yet extremely relatable. It speaks of our unforgettable Pinoy school experiences. There will always be the panyo boy Andrei, the serious face Samantha, or the teacher’s pet Precious in a class.

His videos hit close to home that one would completely wonder, “When will we go back to school?”.

With his natural talent in acting, Esnyr’s feel-good TikTok videos are something we could watch religiously and would always leave us laughing out loud.

If you like seeing and watching his content, better join the Facebook group solely dedicated to the whole Esnyr cinematic universe and have some fun!

7. ‘Baguio as a friend’ that brings out the Marites in us

Photo courtesy of Paolo Contis/Instagram

Maybe Giveon was right. This year was full of breakups and heartbreaks. But one remarkable chika of them all was when Paolo Contis went to Baguio for soul-searching with Yen Santos ‘as a friend’. Thus, giving birth to the infamous phrase: “Tara sa Baguio, as a friend?”.

As fast as the Baguio wind, local businesses followed the netizens in joining the trend. Definitely, the phrase gained traction on social media. And beyond doubt, you know a meme is influential once Justice Marvic Leonen has a say about it.

Unsurprisingly, ‘Baguio as a friend’ is used by many netizens until now because you can use that term in any situation.

But of course, we’re just here for the memes. It’s for the best to stay out of private matters, except if the involved expose themselves in public.

8. Rastaman comes back for the 2022 elections

Photo courtesy of John Hector Buenafe

If a senatorial candidate from 2019 makes a comeback two years later, then there must be dissatisfaction on the list of running public officials.

Rastaman, whose real name is Rolando Plaza, is known for his peculiar facial tattoos and bizarre half-human, half-zombie persona. Because of that, he went viral and became the subject of political memes.

But don’t judge too hastily. Rastaman was not and will never be a nuisance candidate. In an interview for Kapuso Mo, Jessica Soho, he mentioned that he supports same sex marriage and divorce, and he’s not a fan of death penalty and martial law.

So among the presidentiables, he’s clearly one of the least problematic and more in touch with reality. Unfortunately, many only recognize him as a mere laughing matter.

Nevertheless, his dream of campaigning for the election was fulfilled when singer and vlogger Donnalyn Bartolome surprised him with a motorcade. All of which he truly deserves.

9. Missing MOA Globe

Photo courtesy of dandellation/Twitter

In an era where heist films are ridiculously common, a missing MOA Globe attracts a new batch of memes.

On the ungodly hour of November 14, several media outlets reported that the classic landmark was nowhere to be found. Not only that, but a witness video of a nearby helicopter in the crime scene went viral quickly.

So to answer this midnight mystery, netizens resorted to creating memes.

Maybe it was borrowed by Miley Cyrus, or stolen by Gru from Despicable Me. Some netizens believed that it was an act to promote IKEA. But after a few hours of this fiasco, the truth was revealed.

As it turned out, it was actually a publicity stunt not for the Swedish furniture store, but for the Netflix heist film Red Notice. At a time where disinformation is prevalent, I hope these kinds of incidents never happen again.

10. Marian Rivera being a judge in Miss Universe

Photo courtesy of markloogan/Twitter

There are two things that unite women and the gays: men and Miss Universe. 

Take for example, every time the pageant takes place, trending topics on Twitter include the name of our country’s representative and anything that occurs during the broadcast. But this year’s contest turned out to be more exciting because putting the cherry on top was none other than Marian Rivera’s addition as a judge.

Of course, her being part of the selection committee undeniably sparked some meme ideas.

And who would have thought that after the 2015 Miss Universe drama between Colombia and the Philippines, the two countries would end up sharing a hug after Colombia’s Valeria Ayos and our very own Beatrice Gomez failed to make it to the Top 3?

In the end, India’s Harnaaz Sandhu won the crown. But with the Philippines back in the Top 5, we couldn’t be more proud and grateful.

Over the years, new faces appear in local pop culture. Last 2020, we met the likes of Sassa Gurl and Pipay, while 2021 gave us Madam Inutz and Esnyr. So, one cannot deny that memes have become part of our lives. 

Be it a photo or a video, as long as it delivers, a meme will make us laugh. Beyond uncertainty and lethargy, this year’s iconic Filipino memes brought us warm comfort. 

 

READ  Fake news and CTTO: How do we deal with a misinformed ‘Marites’?
Kurt Alec Mira
Blogs Writer | + posts

Comments

Blogs

A tale of orientalism: Western media’s obsession with the dark side of K-pop

The dark side of K-pop, or another internalized xenophobic headline that piques everyone’s interest, has a lot more to reveal about how Western media dehumanizes the K-pop industry into a vacuum of peculiarity.

Published

on

Artwork by Mikaela Gabrielle de Castro/TomasinoWeb

Inscribed on popular Reddit forums and headlines are the words, ‘the dark side of K-pop,’ or ‘the real truth about K-pop.’ I thought my woke awakening started when I consumed these circle-jerk articles. But frankly, it only fed my echo chambers. 

Some locals, or those who are not into K-pop, like to resentfully rant that K-pop fans are fanatics. We’re collectively worshiping and spending money on weird Asian music, with humans that easily get replaced. Plenty of YouTubers and reporters craft a deep sociological analysis of how terrifying it must be to live that realitya reverie of perfectionand thank how we don’t have to experience that. 

And in truth, to give them enough credit, they’re not wrong in covering existent issues. There are reasons why it has a lot of articles. Disturbing sasaengs, strict diets, cultural appropriation, cancel culture, slave contracts, capitalist control, severe beauty standards, stigmatized mental health are among its complex problems. 

However, certain journalistic angles selectively take fractions and pieces of the story to misrepresent the whole industry. I, too, have been complicit in doing so. But there is a thin veil between the exploitation of idols and these angles by the media that should be discussed.  

The dark side of K-pop, or another internalized xenophobic headline that piques everyone’s interest, has a lot more to reveal about how Western media dehumanizes the K-pop industry into a vacuum of peculiarity.

Modern yellow peril and internalized racism 

Screengrabs from Chinese Professor, k-pop vs. orientalism, Google Images, Cloud Atlas

Trigger warning: Mentions of abuse and suicide

The K-pop industry is always “othered” as a bad place to be in as if other entertainment industries in the world are innocent of the same issues. Not only are its microaggressions rampant in the microcosm of South Korea, but it also applies to the vast majority of Asia and non-white regions. 

There is a term that may explain why Asia and the K-pop community are feminized as inferior and mystifying for the wrong reasons. 

Orientalism, as popularized by professor Edward Said in the 19th century, refers to how Europe was successful in depicting Asia and the Middle East into the so-called Orient, a believable and seizable entity to justify their superior powers over its exoticness and primitivity. In K-pop, when their groups, places, and cultures are pressed on a threshold for being different and weird, orientalism materializes. 

Let’s face it. We thought girl group aespa’s artificial intelligence (AI) and virtual reality concept were strange when they were first introduced to us. Netizens expressed their initial concerns about having perfect digital counterparts that were prone to sexualization, objectification while even possibly promoting body dysmorphia. 

But looking at their creative direction now, the group has been thriving musically in streams and trends while nothing precarious or life-threatening has taken place. In fact, their sensational and futuristic songs like ‘Next Level’ have marked a revolutionary start for fourth-generation K-pop. And to those fans who have been in K-pop for quite some time, SM’s unique concepts aren’t that shocking. 

Not just aespa’s digital counterparts, but a lot of K-pop’s computer-generated imagery (CGI) and production sets match the characters and themes in cyberspace movies like Blade Runner, Ex Machina, and Cloud Atlas. So it’s no wonder when outsiders let too much of these parallelisms form the wrong interpretations in covering stories about K-pop. 

“Driving through Seoul is kind of like driving through the future. It’s a bit sci-fi, it’s a bit Blade Runner, ” journalist Charlet Duboc likened in the VICE Investigates: K-pop Machine documentary. 

But YouTuber Elliot Sang (bby gang mag) critiqued Duboc’s journalistic approach as prejudicial seeing how it equated the K-pop industry to a future with synthetic humans in dystopian settings. To further the narrative, the episode was complemented with mysterious music and the journalist’s uneasy and tense attitude towards harmless and normal fans, to fantastically elevate the horrors of K-pop. But it’s not like they’re in a murder documentary. 

This exaggerated fright Western media tends to employ in modern settings is found in techno-orientalism, the reimagination of Asia in speculative fiction. One that aestheticizes an Asianized future with neon signs taken over by cyborgs in the outskirts of cities mirroring Seoul, Tokyo, and Hong Kong. With aespa’s cyber-core concept, it’s unavoidable to identify them with futuristic imageries. But the West tends to insinuate harmful subtexts and myths that K-pop and Asia have utopian visions and undertones the world should be fearful of. 

Notice how disaster or war films tend to villainize Asians as unfeeling masterminds, martial arts prowesses, nerds, hackers, sexualized, feminized machines with the infamous yellow filter. Popular clichés include: North Korea nuking the world, Middle Easterns or Russians as the grotesque war criminals, China’s communist agenda dominating other countries, whereas America would be the zero to hero in the White House. Whether they’re intentional or unintentional jabs by directors and writers, the tropes reinforce false ideas by fetishizing and reducing a race as sly and unfeeling humans. 

Akin to how Asians are characterized as robotic and cold, the same trick applies to screenshots and clips of an idol not being loud or expressive for a second, to make them appear more detached and automated. Context is either dramatized or twisted because they can be lively in other interviews and variety shows. Because news flash: moods are part of being human and they are human. But those are buried to fit a craftier narrative. 

Viewing and pitying idols as manufactured products simply forced to cog as machines are  prime examples of how the West gravitates towards binaries and othering: their “better” ideas of individualism and liberation against Asia’s “alienating” pressure on collectivism and organization. Although these ideas are arguably accurate to some extent, both have downsides, and they become misguided and hyperbolic tropes that don’t just play out within the parameters of the silver screens or books. 

Futurism would be sleek and spunky when done in Western cultures. Exhibit A: Elon Musk. But why is it creepy and “too much” when associated with Asians? Orientalism is not just an academic propositionit tells us what power imbalance and stereotypes do, and how they permeate our everyday lives. For example, these microaggressions that anesthetize society from seeing these idols as humans are: saying how they’re a copy of one another, giving them racist nicknames, making homophobic remarks, mocking lyrics, among the like. 

Orientalism proves the harm done by dominant groups in using preconceived notions to warp the views of many. One of the largest scandals that struck the K-pop industry was the 2019 Burning Sun sex scandal. Western articles often frame this angle as the event that tainted the innocent image of K-pop, as though the whole industry carries this sin. Even worse, common articles thrive on shock value, like oversimplifying the deaths of Goo Hara, Jonghyun, and Sulli. It’s incredibly off-putting and disrespectful. It is one thing to prove how a group of people’s words and actions bleed, but it is also another to pour scorn by sensationalizing their deaths as the main arguments to distort the whole K-pop community.  

Western validation is not the ruler  

Photo courtesy of Netflix

Bagging multiple awards in the States, collaborations with Western artists, and performing on American shows are all exciting. Idols and celebrities have rightfully earned the hype and love they’re receiving after years of hard work. In fact, I binge watch these ‘BTS and BLACKPINK being chaotic in the States for 3 minutes’ type of videos every time I have a rough day. So seeing them have a blast on stage, make award speeches, interact with new folks, and try new things is a thrill. 

There’s nothing wrong with cultural exchange and more opportunities but sometimes we can’t help but feel like a phase. 

“Cultural validation from the West and mega-profits fuels the engine of U.S imperialism and the K-pop industry,” argued Arianne Naranjo and Cezar Solomon in Next Level K-Pop: Heightened Capitalism from U.S Imperialism

Despite Parasite making history as the first Asian film to win an Oscar, four Oscars even, its popularity declined a month after its Oscar acceptance. “Seeing my culture being tossed in and out of style, sometimes I can’t help but think: To Western society, am I just a trend?” Kerrie Liang metaphorized the real parasites that occur when visitors come and go in the Western film industry. 

When viewers cringed at the exaggerated portrayal of the white VIPs in Squid Game, some rationalized that regardless of whether it was due to bad script or delivery, it was ironically successful in turning the tables, to show that Asians saw Americans as boisterous. When American outlets portray K-pop as a scripted and cultish universe filled with exploited celebrities and outlets, they seemingly skip the part where their own entertainment industry isn’t really the American dream people deem it as. 

The West is not the sole measure for what makes an ethical and admirable industry. Hollywood and Western shows have a history of protecting multiple predators who committed sexual harassment and child abuse like artist Chris Brown, Dance Moms’ dance teacher Abby Lee Miller, and iCarly and Victorious’ producer Dan Schneider. American media and the paparazzi also have a horrible cycle of mistreating female celebrities and their identity once they break free from their branded image (e.g. Taylor Swift, Britney Spears, Megan Fox, Miley Cyrus). They also have normalized typecasting, whitewashing, inclusion and diversity problems, gender-based bias, among a long list of legal and unheard issues. 

There is a dark side to every industry, not just K-pop. My point is how society is easily influenced by the West’s arbitrary angles in hypocritically pinning the blame and cringe on the K-pop industry and non-Western cultures. What is there to look forward to in their English remakes if their views on our own culture and identity are still stereotypical and damaging? 

Continue to like K-pop, but hold those accountable 

Screengrabs from SBS and MBC and VICE Investigates – K-pop Machine

Under no circumstances are the K-pop industry’s issues okay, nor is it fine to distance ourselves from its flaws and the idols and workers that suffer from its misdeeds. Moreover, the entire Western media is not guilty of perpetuating harmful exogenous notions on K-pop. 

There are a lot of journalists who still have nuanced, credible, and unprejudiced ways of documenting and presenting issues. Duboc was still able to cover problems in the K-pop industry such as drug trafficking and the rocky road in becoming an idol. But both issues the K-pop industry’s exploitation and the xenophobic angles of Western media should be held accountable. 

Non-minorities should avoid inserting themselves as the main characters in examining the narrative to only confirm their own internalized biases and dangerously influence a susceptible audience. 

A lot of fans are learning and growing; initiating discourse and undoing the stigma about the K-pop community, even starting videos, pages, and threads and coordinating with credible experts, people behind the scenes, and academics. Idols also advocate, translating in the meanings and themes of their songs. 

BTS has enjoined the call for #StopAsianHate in 2021, sharing their experience with racial discrimination, and even encapsulating mental health and the sign of times in ‘Life Goes On’ to social critique and protest songs like ‘Go Go’ and ‘Not Today.’ Sunmi’s ‘Noir’ reveals the duplicity of social media and false validation, and CLC has a relevant message about consent in ‘No,’ with so much more songs. 

Aside from the artists, the agencies and companies are gradually learning how to do better in protecting the welfare of their artists, such as HYBE and JYP, by being more understanding and receptive towards idols and their health breaks. But unfortunately, these fade into the horizon, away from the dominant narrative because we’re too distracted by the same stories exaggerating nothing but the brute of fandoms and companies. 

We’re all here for music, films, and entertainment at the end of the day. K-pop, as well as non-American industries, shouldn’t be framed as bizarre or exotic. It’s like every other industry out there with its own culmination of stories, music, and art to share. 

One can still be a Swiftie while recognizing Taylor’s white feminism. One can still be a K-pop fan while calling out a company that mistreats their staff and groups. One can still be a K-pop fan and not be in denial when their bias makes a mistake. 

So continue to bring your photocards on lunch dates, pretend you’re on award shows at 2 a.m, analyze the KWANGYA lore, and belt those high notes while still having these important conversations on improvement and accountability.

Mikaela Gabrielle de Castro
Blogs Editor, Blogs Writer | + posts

Comments

Continue Reading

Blogs

Let people enjoy things: In defense of Pinoy hypebeast youngsters

In defense of our Pinoy hypebeast youngsters, they’re merely a bunch of friends trying to make it in this dog-eat-dog world. Because at the end of the day, there is a socio-economic context that most of us are unable to see.

Published

on

Artwork by Mikaela Gabrielle de Castro/TomasinoWeb

Let’s be real here. Squammy, pa-cool, jeje — these are the usual first impressions someone would blatantly say against a group of rowdy teenagers hanging out in public spaces such as parks or malls. Since they flock in large numbers, one may find them intimidating. Although they gather in different groups, one common denominator between these cliques of the same feather is their fashion style.

This is where Pinoy hypebeast culture comes into play. 

To call someone a hypebeast, they must religiously own fashionable items like swagger clothes and stylish sneakers. They should also be updated with the latest trends such as new releases and limited edition products. Regardless, this is not the case for the ordinary Pinoy teenager I’ve mentioned from the beginning.

Far from the textbook definition of hypebeast, their outfits and footwear are viewed as imitations or knock-off versions of Supreme, Ray-Ban, and other luxurious names. As a result of this trend, hypebeast has become synonymous with jejemon. Of course, people who claim to be real hypebeasts hate this misnomer.

Over the years, I’ve heard countless insults and derogatory remarks to these young adolescents regarding their behavior. But no one’s a living saint. I, too, have my fair share of raised eyebrows and negative mental filters. 

Nevertheless, this kind of judgmental behavior doesn’t seem to exist toward well-off youth and social media influencers. As a matter of fact, one would notice that certain people have thousands of followers on Instagram because they look like models with their streetwear brands.

Double standards

Photo courtesy of KMJS/Twitter

On the contrary, the young ones who act similarly receive hatred and become figures of fun. There are numerous posts on social media where they are being ridiculed. One best example is whenever Simbang Gabi starts, netizens see them as funny memes. And as someone who uses social media daily, it’s no surprise that ‘haha’ would be the top reaction for every Facebook post of juveniles bonding together. The photos were harmless, but the comments were sour: “Tawas festival,” “A photo you can smell,” “Acm.” 

Damned if it’s fake, damned if it’s not. The elephant in the room is the false generalization where they are still perceived as lowly uneducated minors with poor manners. In comparison, double standards thrive because of colorism and the immediate dislike for their appearances.

If they both have the money and lighter skin, would they still receive the same treatment? I don’t think so. Society takes them as a nuisance. Real hypebeasts and sneakerheads alike are not afraid to tell them, “You can’t sit with us.” And these very same people idolize the likes of Julius Babao and Vhong Navarro when it comes to Pinoy hypebeast culture because they’re authentic.

In defense of our Pinoy hypebeast youngsters, they’re merely a bunch of friends trying to make it in this dog-eat-dog world. 

There’s a desire to be part of a family or a group where they all share the same sentiment: expressing oneself through fashion. Even if they’re challenged with money, they still try to catch up with the latest trends. Buying clothes and shoes in the tiangge and ukay-ukay — as long as they come cheap — is their go-to. That’s how creative the youth is nowadays.

Street fashion and its close ties with hip-hop

Photo courtesy of Edrex Clyde Sanchez/Facebook

For them, streetwear is a statement. It’s an identity that the youth cling to as they try to discover themselves. It’s not just something desultory and lukewarm that got in their minds because they have a fear of missing out (FOMO). And that’s the reason why every time you see them in the streets, they’re unapologetic about what they wear and what they do.

This may seem selfish, but it’s not their fault. Because at the end of the day, there is a socio-economic context that most of us are unable to see. Indeed, they may not be as educated and eloquent as the rich kids in Bonifacio Global City (BGC). And it’s also undeniable that they live in an environment in which no one who can actually purchase upscale outfits would like to reside in. But still, social prejudice exists towards them. 

People struggle with poverty, but are they not allowed to enjoy nice things?

If truth be told, that known prejudice has been a long timeless subject in hip-hop music — a genre these adolescents love and mutually identify with. Although it originated from the West, hip-hop found its roots in the struggles of the marginalized and the oppressed. Music gives power to the poor, and as trends change, so does street fashion. And that’s why Kalye music and hypebeast are inseparable — for better or for worse. 

Since they love the local hip-hop scene, there is no question that the genre itself couldn’t escape judgment. Stereotyped as “jeje” music, this OPM subgenre suffers from harsh comments and reactions — a parti pris that Pinoy rap is corny. However, people who barely listen to Pinoy hip hop are the same people that love Drake, Migos, and Travis Scott. 

The same goes with Pinoy hypebeasts vis-a-vis its American equivalent, wherein the latter is considered legitimate. Basically, looking down on these youngsters and their collective experience, to the extent of calling them “jejemon,” all boils down to the ever-existing discrimination against the poor. 

I lived my teenage life despising these kids and calling them offensive names. It was only later in life in which I learned that we are responsible to end the system that causes this hostility towards them. They should be welcome to sit at the same table as everyone else and have the chance to experience the same things as all of us do. 

Let people enjoy things. This doesn’t only apply to the young hypebeasts but also to other people who find affinity through fashion. So wear whatever you like and don’t mind what others say. Besides, we’re only young once.

Kurt Alec Mira
Blogs Writer | + posts

Comments

Continue Reading

Blogs

‘Spider-Man: No Way Home’ is an epic, gripping tale of power and responsibility

Coupled with fan service and brilliant storytelling, ‘Spider-Man: No Way Home’ takes our beloved web-slinger on his most emotional journey yet while teaching us the true meaning of responsibility.

Published

on

Photo courtesy of Columbia Pictures

This article contains spoilers.

Spider-Man: No Way Home didn’t meet my expectations. It exceeded them. 

The mere nostalgia trip that I expected had turned out to be an ambitious cinematic masterpiece that finds the right balance of action, emotion, and nostalgia. Throughout the film’s highs and lows, we see protagonist Peter Parker (Tom Holland) discovering what being Spider-Man truly represents and finally coming to terms with his mantra, “With great power comes great responsibility.” 

Coupled with fan service and brilliant storytelling, Spider-Man: No Way Home takes our beloved web-slinger on his most emotional journey yet while teaching us the true meaning of responsibility.

A tangled web of consequences

Photo courtesy of Sony Pictures

Spider-Man: No Way Home picks up right after the harrowing cliffhanger of its predecessor, Spider-Man: Far From Home, where Quentin Beck/Mysterio (Jake Gyllenhaal) exposed Peter’s identity to the world, and subsequently, framed him for murder. From paparazzis to criminal charges, Peter faces the pitfalls of his newly-found fame and ignominy.

But it’s not just Peter who suffers. His loved ones, including his girlfriend Michelle Jones (Zendaya), best pal Ned Leeds (Jacob Batalon), and his Aunt May (Marisa Tomei), also face the same ramifications. While his loved ones simply accept the situation as it is, Peter is wracked with the guilt of putting their lives at risk. This is what leads him to enlist sorcerer Stephen Strange’s assistance to cast a spell that would erase the whole world’s memory of his identity. 

By taking the risk of casting a dangerous spell to free his loved ones from suffering, it’s clear that Peter still wants to do the right thing. Subsequently, Peter’s inner conflicts unfold. While he’s very inclined to do good things, he’s not always willing to pay the price, causing him to tamper with Strange’s spell. Unfortunately, it goes horribly wrong and only raises the stakes for Peter’s already messed up life.

Butchering a spell was a reckless thing to do, but it reminds us that behind the mask, he’s really just a kid. Like most teenagers, he’s naive and overly impulsive, which often leads him to make mistakes. However, his vulnerability to mistakes isn’t inherently a bad thing. It only goes to show that he still has a lot to learn, and he’s still evolving as a person. 

Even after defeating powerful opponents and taking on Avengers-level threats, he’s still navigating the perils and pressures of growing up. There are times when he becomes misguided, his judgment gets clouded, and he cracks under pressure. But in the long run, it’s not his mistakes that would define him. It’s how he learns from those mistakes and pushes himself to be better.

Morality in the face of adversity

Photo courtesy of Sony Pictures

Ultimately, Peter’s recklessness cracks open the multiverse and brings over a menagerie of villains from different universes to their universe, including Otto Octavius (Alfred Molina), Max Dillon (Jamie Foxx), and most ominously of all, Norman Osborn/Green Goblin (Willem Dafoe). 

Upon learning that the villains are doomed to die while fighting their universes’ versions of Spider-Man, Peter refuses to send them back to their deaths. Instead, he attempts to rehabilitate them from their antagonistic natures and give them a second chance to live better lives.

Peter yet again tries to do the right thing. He puts his life on the line to help dangerous villains because even in the presence of evil and danger, he doesn’t lose sight of his morals. But when he loses the person closest to him and his world begins to fall apart, those morals are put to the test.

“No good deed goes unpunished,” Green Goblin tells Peter, moments before he brutally kills Aunt May in front of the young hero. 

Throughout Peter’s journey as a superhero, his Aunt May had always been his moral compass. From time to time, May imparts words of wisdom that influence Peter’s moral and ethical decisions. And in her last moments, she is the one who reminds Peter of his responsibility as a hero, delivering the classic Spider-Man motto, “With great power comes great responsibility.” But as impactful as those words are, Peter doesn’t immediately understand what they mean. 

Now without his moral compass, Peter’s morality takes a dangerous turn. He finds himself on the brink of madness, as rage and vengeance begin to overwhelm him. At this point, he no longer cares about rehabilitating the villains or saving other people; he just wants revenge. 

After constantly trying to do the right thing, we now see Peter wrestling with the question: “Should I continue doing the right thing, even when my world is already crumbling?”

When fan service serves the plot 

Photo courtesy of Sony Pictures

At Peter’s darkest hour comes the light of ultimate fan service, when previous Spider-Man actors, Andrew Garfield and Tobey Maguire, finally make their heavily-rumored and highly-anticipated return. They reprise their roles from their respective films, being brought into the fold as Peter’s older counterparts from alternate universes.  

Personally, I liked how Garfield and Maguire’s entrances were underplayed. Rather than coming in with glorious or heroic entrances, their entrances were rather comical. It works perfectly for the film, as it minimizes the impact of fan service on the storytelling and doesn’t overshadow the compelling, character-driven story that the film has already established.

But more importantly, Garfield and Maguire don’t just appear for the sake of nostalgia. Their characters serve a crucial narrative purpose in the story, further propelling Peter’s emotionally-charged character arc.

During this moment, Peter has already lost the willpower to carry on and keep his morals intact. He becomes hellbent on revenge, completely ignoring the wisdom his Aunt May imparted to him. Luckily, his two older counterparts arrive just in the nick of time to console him right before he makes a wrong choice, not wanting Peter to end up in the same path of darkness. 

Like him, both alternate Peters lost their loved ones and were once consumed by rage and vengeance, and it only brought out the worst in them. Through his older counterparts, Peter grasps what responsibility truly means: doing the right thing, even with the pain and torment that inevitably follow his journey.

Amid all the hooting and hollering in the theaters, this is what really makes Garfield and Maguire’s appearances in the film remarkable. Their characters add another layer to the word “responsibility.” By teaching Peter about it, they also show us that an integral part of coming to terms with responsibility is teaching others about it. It’s not enough that we’re able to capture the spirit of being responsible — we must also instill that spirit in other people.

For them, teaching Peter to be responsible is already one of the most responsible deeds they’ve ever done as Spider-Man. Part of their journey towards responsibility is making mistakes that will leave a deep-rooted burden on them. But by preventing someone else from making the same mistakes, they are able to ease that burden and show us the essence of being Spider-Man. 

With great power comes great responsibility

Photo courtesy of Sony Pictures

Finally understanding the meaning of responsibility from his Aunt May and his older counterparts, the aftermath of the final battle sees Peter striving to do the right thing, as he always did—but this time, he willingly pays the price for it.

As Stephen Strange prepares to send the universe-displaced villains and Peter’s older counterparts back to their respective universes, Strange struggles to hold the floodgates of the multiverse, making infinite amounts of people from different universes enter their universe.

Peter realizes that those people are getting displaced into their universe because of him. He deduces that one way to fix the problem is to completely erase himself from everyone’s memory. 

It is during this heartbreaking moment that Peter proves his maturity as a hero and person. From a naive and childish teenager who is negligent of the consequences of his actions, he matures into a responsible hero who is determined to do whatever it takes to put the good of others before himself. He accepts losing everything in his life so that he can rectify the damage he had accrued and no longer put his loved ones in harm.

And now, he’s all alone, living only in a small apartment and having to start his life all over again. He can still resume his heroics as Spider-Man, but as Peter Parker, he is no more than a ghost to the world. 

In the end, he decides that the world can’t live without Spider-Man, but it can live without Peter Parker. As Peter Parker, he has only endangered the people around him. But as Spider-Man, he has saved the world countless times, and may still continue doing so.

In essence, this is the core of Spider-Man’s character. He has the capabilities and privileges to do almost anything he wants in his life. But at the end of the day, he chooses to be righteous and selfless, even when it may actively harm himself to do so.

It’s worth the hype

Spider-Man: No Way Home has everything in its formula to be heralded as one of the best superhero movies to date: stellar performances, grandiose cinematography, and a compelling story. But on top of all that, its real trump card is its profound understanding of Spider-Man’s character. The film really gets to the heart of who Spider-Man really is by immersing both avid and casual fans in emotional depth and what makes him human just like us.

As we watch his journey towards redefining himself as Spider-Man, we get a clearer perspective on responsibility and how it can also shape our lives. We may not be climbing walls or slinging webs, but we can use our own gifts to do what’s right and make a difference in other people’s lives. To quote Aunt May: with great power, there must also come great responsibility.

Spider-Man: No Way Home is now showing in theaters.

Andrei Miguel Hermosa
Blogs Writer | + posts

Comments

Continue Reading

Trending