Connect with us


Your area of responsibility

Were you able to catch koloWn’s exhibit at the Cultural Center of the Philippines complex last month?



How long would you stay idle in the midst of crisis?

Visitors of the Cultural Center of Philippines (CCP) last September and October likely took notice of the handful of art pieces scattered throughout the CCP Complex: Interactive art installations, miniature exhibits crammed into previously unused and empty phone booths, mall advertisements loudly touting “50% off!” sales, and even art displayed in trash bins were just a few examples of the works of elusive Cebu-based street art collective KoloWn as showcased their latest exhibit titled “Low Pressured Areas.”

The works, dispersed across the CCP, were not put on exhibit as most traditional artworks are — prominently lit and on full display. Instead, many of KoloWn’s works seemed as if they weren’t actually supposed to be there.

Visitors did not seek out KoloWn’s exhibits so much as stumbled upon them in places where they were least expected — unused telephone booths, empty hallways, trash bins, and among other artists’ works.

This is characteristic of KoloWn, which primarily exhibits their works outdoors in urban locations, encouraging people to engage and interact with their art as they come across them on the street.

With “Low Pressured Areas,” KoloWn reimagined the CCP Complex as a “pseudo-city”: Its halls taking the place of the streets of Metro Manila and Cebu.

The exhibit led viewers to consider how they could be “active citizens” in a country that is plagued by a myriad of social issues.

At the CCP’s front lawn stood Freewall, a sign bearing a URL link which, opened on a phone, allowed viewers to interact with an image of the CCP.

Modern Dilemma, an interactive art piece based on Arturo Luz’s Black and White (which hangs directly above), allowed viewers to rearrange its pieces.

READ  Indoor winter at the UST Museum

Other works directly confronted social ills. Looped, a human figure wrapped in barricade tape, greeted visitors near the Little Theater entrance; bringing to mind the multitude of extrajudicial killings in the past year.

Throw Up, a cat’s head made of torn paper bags and covered in images of public figures such as Tito Sotto, Imelda Marcos, and Mocha Uson, sat in a trash bin on the third floor.

Addiction, a series of banners like those found at mall sales, addressed rampant consumerism and our fixation on material possessions.

Hello Garci, found on the upper ground floor, reminds viewers of former president Gloria Macapagal-Arroyo’s alleged rigging of the 2004 elections.

Unlike any other art exhibits where you are prohibited from being in contact with the works, Low Pressured Areas encourages the people to interact — to connect with the society they belong and take part in finding solutions to the issues the plague the country.

The people are caged within idleness and apathy, oblivious of the constant pressure on human rights and democracy, especially the various minority groups fighting for their ancestral lands where many have fallen to unjust killings. Despite the rising turmoil within our own land, several had remained apathetic since they are not “directly” affected.

All these low pressured areas are within your area of responsibility. Will you take your stand or just turn your backs to the people who need you the most — your fellow Filipinos?

by Carlo Miguel Benedicto 

Photos grabbed from KoloWn’s Facebook page





Science, Commerce bets lead this year’s TYAA

College of Science’s Lorenzo Montes and College of Commerce and Business Administration’s Manjit Kaur Singh topped candidates from different faculties and colleges in this year’s Thomasian Youth Ambassador and Ambassadress.



Photo by Miguel Yap/TomasinoWeb.

Representatives from the College of Science and the College of Commerce and Business Administration led this year’s set of Thomasian Youth Ambassadors and Ambassadresses (TYAA) at the Plaza Mayor Saturday last week.

Science’s Lorenzo Montes and Commerce’s Manjit Kaur Singh topped candidates from different faculties and colleges, however, the Student Organizations Coordinating Council (SOCC) announced that all contestants would share the same title of “Thomasian Youth Ambassador and Ambassadress” of their respective colleges.

“For this year po, the TYAA […] focused more on molding the student to be an ambassador and ambassadress of UST since [he or she] adopts the new program which is the formation program,” said Jasper Limon, SOCC Vice President for Service Assurance.

Limon said the program that they developed this year helped the contestants to bond more.

“Nakakatuwa na inaaccept nila yung formation at [nakita ko] mas naging family, mas naging less competiton [at] mas nag step-up yung bawat isa,” he said.

Faculty of Arts and Letters’ Christian Josef Patacsil and Alfredo M. Velayo – College of Accountancy’s Elaine Pineda bagged the Congeniality award. Montes and Singh nailed Best in Advocacy Presentation.

Faculty of Pharmacy’s bets Jasmine Norleen Addun and Harold William Tan owned the Best in Cultural Attire award. Tan and Science’s Alyssa Jasmin Perez snatched the Thomasian Youth for Public Relations.

College of Fine Arts and Design’s Justin Aaron Castro and Faculty og Engineering’s Mary Chile Balana were hailed as Thomasian Youth for Community Development.

TYAA is an annual pageant organized by the SOCC which seeks Thomasians who would represent the University in leading projects and activities for a specific advocacy.N.A. Perez


Continue Reading


The unknown hands of Philippine cinema

“It’s wrong. Dapat iisa lang ang pelikula, dapat hindi siya divided [into “mainstream” and “indie”] kasi strategy ‘yan to segregate a product na hindi nila gawa,” veteran filmmaker Ato Bautista said.



Marc Benjie Paulino/TomasinoWeb.

I was jittery—because first, it’s difficult not to feel overwhelmed in an unfamiliar place, Miriam College, with lots of trees and hills, and where the only men other than an us are either security guards or professors; and second, with my love for cinema, I cannot help feeling ecstatic to hear from the esteemed speakers from MCinema’s CinemaTALKgraphy.

The moment we stepped through the lecture hall, Ato Bautista’s words regarding how the classification between indie and mainstream movies divide the Philippine cinema stuck to me.

“It’s wrong. Dapat iisa lang ang pelikula, dapat hindi siya divided kasi strategy ‘yan to segregate a product na hindi nila gawa,” Bautista said.

An alumnus of the University of Santo Tomas, Bautista is a veteran director whose prowess lies with the Philippine thriller genre, and yet Bautista remains unknown to his fellow Filipinos despite being a renowned filmmaker overseas.

“You don’t know me or any of my films and tanggap namin ‘yan. It’s a price we are willing to pay, as ‘indie’ filmmakers,” Bautista said.

He also expressed his frustration on how the industry of the Philippine cinema lags behind despite being the first country in Asia to form a film studio, citing that one of the major factors of our slow progress is the monopolization of the big studios that courts the mainstream audience.

“Filmmakers make films that courts, mga pelikula na [ginawa] para ligawan ang mainstream,” he added, “lagi natin kino-compare yung kung anong meron tayo sa ibang bansa [kahit] ibang-iba yung kultura sa atin. Meron tayong sariling problema and kung ano yung solusyon nila, hindi necessarily ‘yun ang solusyon sa atin.”

Still, Bautista was hopeful that Philippine cinema will improve—vowing to continue crafting indie movies so that the consciousness of the audience does not get monotonous.

Through his eyes, I saw desperate hope: Bautista still has faith in the future filmmakers sitting in front of him; with fire burning in his eyes, I saw his eagerness to impart the flame not only through us, but also to the whole Filipino audience.  

And now with the advent of technology, Elaine Lozano narrated how difficult it was to make movies then and how much the technology used in filmmaking has changed.

“Before, to be able to manage a single camera, you need four people, sometimes five […] But now, you can operate with one camera. Ang dali gumawa ng pelikula ngayon because it’s so convenient.”

It was funny twist of faith—Lozano was on her journey to be an actress that she even became the understudy for the role of Kim in Miss Saigon from the same batch as Lea Salonga. However, instead of being the one basking in the spotlight, she became the one who worked wonders behind the scene.

Today, she is a veteran producer in the industry, where her works garnered fame such as Ang Panday and Manila Kingpin.

Lozano began her filmmaking journey with an Arri 435 camera where back in the days, four minutes of negatives were worth 7,000 pesos and the budget for film rolls alone peaked at 250,000 pesos. In comparison, only three years ago, Elaine produced a movie for 350,000 pesos.

Producing movies are now cheaper, but she expressed her distaste in the industry since  people tend to be so tight in the budgets.

“Kita mong nangamatay na yung mga direktor, mga production manager. That’s really stressful!” She added, “I was line producing it, I was production manager, I was production designer, and make-up artist. People are going down to this level of filmmaking [and] I don’t know why! To prove a point?”

Producers and directors can earn millions with one film. The less money is spent, the more the producers earn from it–yet as the other part profits tremendously,  the actors and the production team suffers from its limited budget. However, amidst all the difficulties and risks, it’s still all worth it.

“ I love this job,” she added, “if you’re gonna do something, you have to love it.”

I went home reflecting on what I have  learned: Elaine Lozano talking about how love transcends barriers, how love pushes you to do great things; and Ato Bautista, telling us that we have to keep on doing what we love, no matter the risks.

How amazing it was to hear just how passionate these people are, that, when tasked to deliver a talk about the evolution of cinema, they told us not just how cinema changed over the years, but how cinema changed them.

Passion pushes people to greater heights—it takes you to places that not even your imagination can breach. With their fire and immense love for their craft, Bautista and Lozano kindled a greater flame within their audience, hoping that their fire can fuel the Philippine cinema to a far more greater destination through the budding filmmakers sitting here with me.


Continue Reading


Marc Henrich Go: Lines and photos

(UPDATED Feb. 26, 12:30 p.m.) “Growing up in a family of engineers, Marc Henrich Go always thought he will tread the same path.” Get to know the Thomasian who topped the January 2018 architecture boards.



(UPDATED Feb. 26, 12:30 p.m.) To be able to say that you are making a good living out of something you are passionate of is rare; we are often taught that we simply cannot have one with the other— another must be sacrificed, and such is often the case with the sciences and the arts.  

Growing up in a family of engineers, Marc Henrich Go always thought he will tread the same path since at such a young age, he was already exposed to engineering’s technicalities and he was also immersed in construction sites.

And this 2018, Marc topped the board exams. Not for engineering, but for architecture.

“I realised that I was also inclined to the artistic aspects as much as the technical portions. Since architecture tackles both the arts and sciences, I felt and still feel that it’s a good fit for me. Now, I am the first architect in the family, and I am very happy because of that,” the new architect shared to an interview with TomasinoWeb.

His love for the arts manifested itself early on. While in high school, Go took it upon himself to be their family’s official photographer during trips, and he would often find himself capturing the scenery via his mobile phone. Upon graduation, his parents gifted him with his first camera, and this started his journey as a photographer for Vision Magazine, the official collegiate publication of the College of Architecture.

From there, he took photography more seriously and would later on establish, along with fellow alum Paul Quiambao, Fotomasino, and later on becoming the guild’s president. It was after meeting photographers like Quiambao and other lensmen such as Jilson Tiu, Ezra Acayan, Christian de Leon, and many more during his senior year when he contemplated on the concept of a group dedicated to the art of photography.

“I thought to myself, ‘if we have this much talent and potential in the University working on our own, what more could we achieve if we have a group wherein like-minded photographers share and learn from one another?’ That was the reason Paul Quiambao and I founded Fotomasino: To create an environment conducive to creativity, learning, and inspiration in the field of photography,” Go said.

He credits being a good architect for having photography skills. This complements how he believes that his training and discipline in architecture is what honed his eye for photography. The goal for him now is to pursue both side by side.

Having to balance both while he was in the University, however, proved to be a challenge since both required tremendous time and effort. UST’s College of Architecture features rigorous training meant to keep their students on their toes. They are given mock board exams during their third and fifth years, which they are required to pass if they want to move up to the next level.

“During our actual review, the lessons would have been more familiar, and we would already have had created our personal system on how to tackle the load,” Go recalled. In his case, that system he created for himself triumphed despite already having a loaded schedule. As they always say, you end up doing everything you can for the things you are passionate about.

Now, Go is planning to continue his work with Budji + Royal Architecture + Design firm of which he has spent the past two years with and has grown with personally. He has done work for Drs. Vicki Belo and Hayden Kho, two fellow Thomasian alumni whom he was actually with upon finding out he had topped the boards.

“We were in a wedding of a common friend where I was asked to do the photographs of the welcome dinner in Tagaytay,” Go recounted. “I noticed a call from a batchmate of mine; she called me up to congratulate me. I was very excited to check if I passed the exam, and was officially an architect. But to my biggest surprise, she told me I was a top notcher, and the top 1 nonetheless! I wouldn’t believe her because the list might be edited! I had to check several sources before I actually believed it.”

He further reminisced by saying that the groom and bride actually told him to stop shooting for a while to savor the moment.

When asked if he was expecting to top the boards, the architect explained how every person probably begins their journey hoping to finish the exams in first place. As the load got heavier, however, he found himself doubtful. It was time to be realistic, he eventually thought. The goal went from topping the board to simply passing, but that did not stop him from pushing himself.

“I reviewed day and night, only stopping to sleep, eat, use the toilet with the more achievable goal of just passing the exams in mind,” Go added, “but something at the back or my mind was always pushing myself to do better. If you do your best then you will always find contentment no matter the result. I think topping was just a bonus to passing the exam.”

And a bonus it was. Go graduated back in 2014, nearly exiting the Arch of the Centuries with every college student’s much coveted label: Cum laude. He missed the required grade point average by just 0.1 percent, but it motivated him to go the extra mile.

To every aspiring architect out there currently enduring a sleepless night filled with plates, Go had this to say: “Don’t let your past disappointments determine your future successes. Make them stepping stones to achieving your full potential.”

ERRATUM: Marc Henrich Go’s name was misspelled as “Mark.” The article has since been updated. We apologize for the error.

READ  SHS music org is reigning champion in 2017 Musikapella



Continue Reading