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Were you able to catch koloWn’s exhibit at the Cultural Center of the Philippines complex last month?

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How long would you stay idle in the midst of crisis?

Visitors of the Cultural Center of Philippines (CCP) last September and October likely took notice of the handful of art pieces scattered throughout the CCP Complex: Interactive art installations, miniature exhibits crammed into previously unused and empty phone booths, mall advertisements loudly touting “50% off!” sales, and even art displayed in trash bins were just a few examples of the works of elusive Cebu-based street art collective KoloWn as showcased their latest exhibit titled “Low Pressured Areas.”

The works, dispersed across the CCP, were not put on exhibit as most traditional artworks are — prominently lit and on full display. Instead, many of KoloWn’s works seemed as if they weren’t actually supposed to be there.

Visitors did not seek out KoloWn’s exhibits so much as stumbled upon them in places where they were least expected — unused telephone booths, empty hallways, trash bins, and among other artists’ works.

This is characteristic of KoloWn, which primarily exhibits their works outdoors in urban locations, encouraging people to engage and interact with their art as they come across them on the street.

With “Low Pressured Areas,” KoloWn reimagined the CCP Complex as a “pseudo-city”: Its halls taking the place of the streets of Metro Manila and Cebu.

The exhibit led viewers to consider how they could be “active citizens” in a country that is plagued by a myriad of social issues.

At the CCP’s front lawn stood Freewall, a sign bearing a URL link which, opened on a phone, allowed viewers to interact with an image of the CCP.

Modern Dilemma, an interactive art piece based on Arturo Luz’s Black and White (which hangs directly above), allowed viewers to rearrange its pieces.

Other works directly confronted social ills. Looped, a human figure wrapped in barricade tape, greeted visitors near the Little Theater entrance; bringing to mind the multitude of extrajudicial killings in the past year.

Throw Up, a cat’s head made of torn paper bags and covered in images of public figures such as Tito Sotto, Imelda Marcos, and Mocha Uson, sat in a trash bin on the third floor.

Addiction, a series of banners like those found at mall sales, addressed rampant consumerism and our fixation on material possessions.

Hello Garci, found on the upper ground floor, reminds viewers of former president Gloria Macapagal-Arroyo’s alleged rigging of the 2004 elections.

Unlike any other art exhibits where you are prohibited from being in contact with the works, Low Pressured Areas encourages the people to interact — to connect with the society they belong and take part in finding solutions to the issues the plague the country.

The people are caged within idleness and apathy, oblivious of the constant pressure on human rights and democracy, especially the various minority groups fighting for their ancestral lands where many have fallen to unjust killings. Despite the rising turmoil within our own land, several had remained apathetic since they are not “directly” affected.

All these low pressured areas are within your area of responsibility. Will you take your stand or just turn your backs to the people who need you the most — your fellow Filipinos?

by Carlo Miguel Benedicto 

Photos grabbed from KoloWn’s Facebook page

 

 

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#TWenty

#TWenty: The 2017 TomasinoWeb Year-ender

2016 was a merely a teaser for​ more terrible things to come—but 2017 was also the year we fought back.

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A letter from the editor

To say that 2017 was a challenging year is an understatement: 2017 was a terrible year—which is honestly funny, considering how just exactly a year ago, we were all probably tweeting how 2016 was the #WorstYearEver (it’s Twitter; sharper expletives are welcome).

If anything, the past year was merely a teaser for worse things to come, and it seems that 2017 picked up where 2016 left off: The Growling Tigers continued their dismal performance in the UAAP, securing only a single win this season; the government’s brutal crackdown on illegal drugs continue to claim the lives of thousands, even teenagers; and hazing has killed another student, and this time, it’s a Thomasian—all while the Dutertes enjoy lavish photoshoots in the Malacañang.

Mocha Uson is now an actual government official (which, more or less, gives legitimacy to her blatant misinformation frenzy), martial law is in full swing in Mindanao after a series of terror attacks, and candidates who lost to abstentions in the student council elections have threatened to take over the vacant posts.

It was a terrible year, but it was also the year we fought back.

A hashtag has given sexual harassment victims a voice to decry and expose abusers. Thousands marched in the streets of Manila last Sept. 21 to protest the government’s inhumane drug operations and harassment of farmer and indigenous communities. Mental health advocates also fought the stigma surrounding mental health conditions with a hashtag and Ariana Grande showed the world that we could respond to terrorism with love and solidarity.

It’s undeniable that we are living in dangerous times—and that we are facing even more challenging times ahead. Despite all the things we hated this year, we are here, on the last day of the year, hoping that we could fight our way through 2018 like we did this 2017.

With that, I now present to you the top 20 people, issues, events, and trends that defined the spirit of 2017.

My comrades, Thomasians, Filipinos, netizens: Here is #TWenty.

The fight continues,
Philip Jamilla

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SHS music org is reigning champion in 2017 Musikapella

Selah also bagged four other awards in this year’s Musikapella.

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Aside from the championship, Selah bagged four other awards. Photo courtesy of Musikapella, grabbed from Selah’s Facebook page.

With enchanting voices that mesmerized crowds, UST Senior High School’s Selah brought home the championship crown in this year’s Musikapella last Saturday, Nov. 25 at the AFP Theatre.

With the theme, “A Tribute to Paskong Pilipino,” Selah serenaded the people with Simbang Gabi as part of their contest piece, along with their choice piece, Kampana ng Simbahan.

Aside from the championship, Selah bagged four other awards: The People’s Choice Award, Sulyap ng Musika 2017 Winner, Best Interpretation of Choice Piece, and Best Interpretation of Contest Piece.

Triumph would not come without sacrifice: Balancing academics along with long excruciating hours of chorale training with their new choirmaster, Mark Raeniel Agpasa, Selah proved that no matter what hurdles they face, they will come emerge victorious.

President Veronica Therese Rivera narrated their journey in an exclusive online interview with TomasinoWeb.

“As an organization, Selah felt that there were unsaid expectations to excel, to make a name for UST Senior High School, since this was the first ever inter-school competition joined by UST SHS Selah,” Rivera said.

The group felt the need to step up as two other UST SHS organizations, dance troupe Galvanize and performing arts group Singtala, have already made a name in their respective fields.

But all in all, while winning was an ideal goal, Rivera stated that Selah wanted to do their best in the competition and perform their hearts out, even if that meant winning merely one award that night, as they valued the solidarity and community that Selah had brought with them.

Selah’s new choirmaster was overwhelmed with the support the Thomasian community gave them.

“Having that much likes and shares in social media sends a strong message — that people believe in Selah, that there are literally thousands of people who are part of Selah,” Agpasa said.

Musikapella is an annual choir competition and fundraising event for the University of the Philippines Economics Society Scholarship Fund.

Watch Selah’s winning performance below:

by Mykel Alen Tan

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The art that saves

Here’s what you missed at UNESCO Club’s INDIE+GENIUS: Indie Night for Indigenous People.

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MUSIKAT performs on INDIE+GENIUS: Indie Night for Indigenous People, a benefit concert organized by the UST UNESCO Club for the indigenous peoples of Tarlac. Photo by Earl Balce/TomasinoWeb.

The art saves the heart and soul — but through UST UNESCO Club’s INDIE+GENIUS: Indie Night for Indigenous People at the Engineering Concert Hall last Wednesday Nov. 29, art also saves the education and literacy of the indigenous peoples (IP) of Tarlac.

The concert kicked off as MUSIKAT serenaded the crowd with songs popular in the local music scene such as Kathang Isip by Ben & Ben, and June by Oh! Flamingo.

Raphael Sanchez from the UST UNESCO Club also performed Sila by SUD, and Treat You Right by TJ Monterde.

Students from the Faculty of Arts and Letters performed heart-wrenching spoken word poetry pieces.

Legal Management junior Rey Rebollos performed a piece on love and heartbreaks — of moving on and acceptance of the past.

Meanwhile, Communication Arts sophomore Manisha Mirchandani showed her painful journey from being apart from her family and finding her home within her.

Brimming with sentiments and advocacy, Louise Meets and Henri Igna from Words Anonymous also showcased their prowess in evoking emotions through poetry.

Meets’ performance was about heartbreak, separation, brokenness, healing, and self-acceptance.

“We kept naming it forever. Kept trying to water the garden that blooms behind our home even when nothing grew,” Louise Meets said on her piece, Museum of Broken Things.

And as for Igna, home is not a place: It is the person you hold dear.

“Pag hinto ng taxing sinasakyan ko, sa tapat ng kinatatayuan mo, sisigaw ako ng “”Manong! Para. Nakauwi na ako,”” Igna said in his piece, Taxi.

Their last performance was a collaborative piece that they had also performed during this year’s Pride March. It portrays a vibrant future for homosexuals where they can raise their own children and be accepted by society, testifying that their love are real. Both artists fight for equality, rights, and acceptance of the LGBTQIAP+ community.

In collaboration with various artists, the UST UNESCO Club organized INDIE+GENIUS as a charity concert to provide the basic necessities for education for IPs in Tarlac, asking the audience and advocates to donate a notebook and two pencils as their entrance pass.

“[We want] to help build literate indigenous communities through education. Pwede pa [sila] magdonate ng notebooks and pencils sa org room namin sa Tan Yan Kee Student Center Room 3N,” Alyssa Rafael, the director for education of UST UNESCO, told TomasinoWeb.

Rafael also encourages everyone to join them in their upcoming outreach program, “Halubilo” for the benefit of the indigenous community in Tarlac.

“Anyone can join us. They can contact us through our Facebook and Twitter accounts or pwede din sila dumaan sa org room para magtanong,” she urged.

by Lanz Nathan Hernandez

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